Autumn Ball is a 2007 Estonian drama film directed by Veiko Õunpuu, adapted from Mati Unt’s 1979 novel of the same name. The film depicts six desolate people of different yet similar fates in characteristically Soviet pre-fabricated housing units. It premiered at the 64th Venice International Film Festival, where it won the Horizon Award.
‘Emboldened by alcohol and steeped in despair, the characters in Sugisball lunge for love but would settle for understanding.’
Bratislava International Film Festival 2007 Winner Best Director
Lisbon & Estoril Film Festival 2007 Winner Special Critics Award
Nika Awards 2009 Nominee Nika Best Film of the CIS and Baltics
Transilvania International Film Festival 2008 Winner Best Cinematography
Critic Reviews‘The film definitely has an agenda of positivity that is presented in a simple to understand manner. Unlike The Secret, The Thought Exchange is not relayed in a heavy handed manner. It’s rather uplifting and presented lightly with a dynamic use of ethereal music. Throughout the film, I never felt like I was being convinced of anything. I truly felt that the people in the piece believed and actually followed the methodology of The Thought Exchange.’
AwardsBoston Science Fiction Film Festival, US 2017, winner of best special FX Los Angeles Movie Awards, US 2017, winner of the best narrative feature, best director, best cinematography, best costume design, bets production design, best set direction. American Movie Awards 2018, winner of best direction
Critic Reviews‘Testimonials cover a wide range, including England’s Prince William who helps to bring it all into perspective.’ Seattle Times ‘Concern for animals aside, this is a portrait of capitalism at its most destructive, and rhinos and elephants are not the only creatures it will leave you fearful for.’ Eye for Film ‘Filmic, often elegiac, and hopefully galvanising.’ Screen International
AwardsAnchorage International Film Festival 2017, Best Documentary Feature NORTHWESTFEST International Documentary & Media Arts Festival 2017, winner of best international feature San Diego International Film Festival 2017, winner of the festival award for best documentary Tribeca Film Festival 2017, winner of the Disruptive Innovation Award
Critic Reviews‘Wilko is irrepressibly energetic, holding forth on life, love, the universe and above all the prospect of death.’ Guardian ‘This is a moving portrait of a remarkable man, which is at its most effective when it just lets him speak.’ CineVue ‘Part biopic, part arty collage film, part scenic ramble through the great guitarist’s synaptic labyrinth.’ Time Out
AwardsIn-Edit 2015, winner of the Jury Prize for best international documentary FOCAL International Awards 2016, winner of the FOCAL award for best use of footage in a documentary feature
Critic Reviews‘Ever since Yorgos Lanthimos’ Dogtooth wowed audiences back in 2009, Greek cinema has become the new Michael Haneke.’ StarBurst ‘Miss Violence is a grim tale of family dysfunction that also stands as an allegory about moral and economic decline in Greek society.’ Independent UK ‘From the not-so-happy birthday that opens the film … up to the harrowing final revelation, Miss Violence fulfils the grisly promise of its title.’ TimeOut
AwardsHellenic Film Academy Awards 2014 Winner of the Hellenic Film Academy Award for Best Actor and Best Supporting Actress Los Angeles Greek Film Festival (LAGFF) 2014 Winner of the Orpheus Award for Best Feature Film Montréal Festival of New Cinema 2013 Winner of the Innovation Award – International Competition Stockholm Film Festival 2013 Winner of the Aluminum Horse for Best Script Venice Film Festival 2013 Winner Best Euro-Mediterranean Film Winner of the Silver Lion for Best Director Winner of the Volpi Cup for Best Actor Winner of the Young Cinema Award for Best Film in Competition
Critic Reviews‘None of the other recent apocalypse movies has shown so much political or cinematic sophistication.’ Time Out ‘An intelligent predecessor to some more moronic efforts in the same genre.’ Film 4
AwardsSitges – Catalonian International Film Festival Winner of best Screenplay and Best Special Effects
Saints and Soldiers is a 2003 war drama film directed by Ryan Little and produced by Little and Adam Abel. It is loosely based on events that took place after the Malmedy massacre during the Battle of the Bulge. The film stars Corbin Allred, Alexander Niver, Lawrence Bagby, and Peter Asle Holden as the four American soldiers trying to return Kirby Heyborne, a British soldier with vital intelligence, to the Allied lines.
The Washington Times called the film, “one of the sharpest and most compelling entries of the early ‘Mormon cinema’ era”. The New York Times wrote that the film’s, “impressive cast of largely unknown actors and meticulously researched film tells its story with quiet conviction.”
‘It has the strengths and the clean lines of a traditional war movie, without high-tech special effects to pump up the noise level.’ Chicago Sun Times
‘Thoughtful, engaging World War II movie has battle violence.’ Common Sense Media
Gloria Film Festival 2003 Winner of the Audience Award and Winner of the Jury Award
Heartland International Film Festival 2003 Winner of the Crystal Heart Award and Winner of the Grand Prize for Dramatic Feature
Ojai Film Festival 2003 Winner of the Best Narrative Feature
Sacramento Festival of Cinema 2003 Winner of the Audience Award
San Diego Film Festival 2003 Winner of the Audience Award
Temecula Valley International Film Festival 2003 Winner of the Viewer’s Choice Award for Best Feature Film
Sami Blood is a 2016 Swedish coming-of-age drama film written and directed by Amanda Kernell, as her feature film debut. The first 10 minutes of the film (and part of the end) comes directly from the short film Stoerre Vaerie. Stoerre Vaerie is Kernell’s first film with Sami themes and it was nominated for the Short Film Grand Jury Prize at the Sundance Film Festival, Park City, Utah, USA.
The film premiered at the 73rd edition of the Venice Film Festival in the Venice Days section, in which it was awarded the Europa Cinemas Label Award and the Fedeora Award for Best Debut Director. It won the 2017 Lux Prize and was nominated for the 2017 Nordic Council Film Prize.
‘An eloquent coming-of-age drama set in 1930s Sweden that revolves around a spellbinding performance by young Lene Cecilia Sparrok.’ Los Angeles Times
‘”Sami Blood” is a beautiful, haunting film, anchored by a startlingly accomplished lead performance. It has the feeling of a distant memory – one that is neither entirely pleasant nor painful, but persistent.’ Washington Post
‘Swedish helmer Amanda Kernell makes a stirring debut with a coming-of-age tale that pointedly addresses a bygone era of Scandi colonialism.’ Variety
BZN International Film Festival 2018 Winner of the Audience Award – Narrative Feature
Fargo Film Festival 2018 Winner Best Narrative Feature
Guldbagge Awards 2018 Winner of the Audience Award Winner Guldbagge for Best Actress Winner of Best Screenplay
Göteborg Film Festival 2017 Winner Dragon Award for Best Nordic Film
Kosmorama, Trondheim Internasjonale Filmfestival 2017 Winner of the Audience Award
Luxembourg City Film Festival 2017 Winner of the Youth Jury Award
Newport Beach Film Festival 2017 Winner of the Audience Award for best Foreign Feature
Riviera International Film Festival 2017 Winner Jury Prize for Best Director
Venice Film Festival 2016 Winner of the Fedeora Award for Best Director of a Debut Film (Venice Days)
Prime-time Emmy nominee, Halo 4: Forward Unto Dawn is a military science fiction web series set in the universe of the Halo franchise. It was written by Aaron Helbing and Todd Helbing, and directed by Stewart Hendler.
A United Nations Space Command (UNSC) cadet experiences a crisis of conscience before facing the Covenant on the battlefield, and draws inspiration from Master Chief while fighting for the future of mankind in this sci-fi action opus based on the hit X-Box franchise.
** Nominated for a prime-time Emmy **
Motion Picture Sound Editors, USA 2013, winner of best sound editing
The Streamy Awards 2013, winner of best drama series, best editing, best production design and best cinematography
Critic Reviews“Nothing in Los Angeles was one of the most entertaining and satisfying films I saw all year.” Cinequest.
AwardsHollywood Reel Independent Film Festival, 2014. Winner of the Best Filmed Screenplay, Best Actor and best Supporting Actress. Los Angeles Movie Awards, 2014. Winner of best narrative feature. Route 66 Film Festival, 2014. Winner of the people’s choice competition. Studio City Film Festival, 2014. Winner of best comedy feature and winner of best screenplay – feature.
Critic Reviews‘The footage of the food is positively mouthwatering, a salient reminder of its ability to unite people within a culture as well as outside it.’ Chicago Reader ‘A stirring tale of empowerment, the documentary “Soufra” shows how societal change can begin with small steps.’ New York Times ‘To consider the long-standing Bourj al Barajneh is to consider the true humanity of refugees, who have hopes, dreams, lives to live and work to do. “Soufra” efficiently and effectively illustrates those ideas.’ Los Angeles Times
AwardsCinetopia Film Festival 2018, Foreign Documentary El Gouna International Film Festival 2017, Cinema for Humanity Prize, Mentor Arabia Award, Golden Star. Florida Film Festival 2018, winner of the audience award Galway Film Fleadh 2018, Best International Feature Documentary Napa Valley Film Festival 2018, winner of the audience award San Diego International Film Festival 2018, winner of the audience award
Critic Reviews‘Made with taste, skill and discretion, “The Daughter” demonstrates both the staying power of classic material and the risks inherent in bringing it up to date.’ Los Angeles Times ‘In his atmospheric debut film, Australian theater director Simon Stone whittles down The Wild Duck into a cautionary tale about welcoming home an emotional exile.’ Village Voice ‘Subtle and skilled, this simmers for long periods until its highly satisfying finale.’ Total Film ‘Beautiful and powerful, The Daughter occasionally veers towards the melodramatic – but who cares when every element is this good?’ One Room With a View
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards 2016 Winner of the AACTA Award for Best Lead Actress, Best Supporting Actress, and Best Adapted Screenplay Australian Cinematographers Society 2017 Winner of the Award of Distinction – Feature Productions Cinema Film Critics Circle of Australia Awards 2017 Winner of the FCCA Award for Best Actress, Best Actress in a Supporting Role, and Best Actor in a Supporting Role
Critic Reviews‘Absorbingly, unfussily captures Catena’s daily challenges and feats while also painting a vivid, often heartbreaking portrait of a forgotten people trapped in an underreported sociopolitical nightmare.’ Los Angeles Times ‘The Heart of Nuba delivers a moving but thankfully not overly sentimental portrait of this admirable figure.’ Hollywood Reporter ‘The film is worth seeing because it’s a moving and remarkable story and it represents a great cause.’ New York Times
AwardsHollywood Film Festival 2017, Most Impactful Documentary Feature
Critic Reviews‘Nair has found a real gem in Riz Ahmed, who anchors the film with a charismatically watchable performance. He’s in virtually every frame and you hang on his every word.’ Toronto Star ‘A film like this stands or falls on the performance of its lead, and the young British actor Riz Ahmed doesn’t disappoint.’ Washington Examiner ‘I found several of the story’s twists both startling and, in retrospect, totally believable.’ The American Conservatist ‘Nair lets her drama unfold thoughtfully and draws impressive supporting performances from Kiefer Sutherland, as Changez’s Wall Street boss, and Liev Schreiber.’ The Mail on Sunday (UK)
AwardsCAAMFest 2013 Winner of the Audience Award for Best Narrative – Mira Nair Mill Valley Film Festival 2012 Winner of the Audience Award for Favourite World Feature – Mira Nair Munich Film Festival 2013 Winner of the Bernhard Wicki Film Award for Best Film – Mira Nair (director)
Critic Reviews“The film is a fair slice of nostalgia about one of the most influential bands to ever come from Britain. And though you might distance yourself from the lingering indie fall out that haunts the streets of Camden in 2014, any British music fan who owned a guitar during the last ten years would be lying if they said Up The Bracket didn’t feel godly at some point during their formative years.” Vice
Critic Reviews“This is Ours, the self-assured second feature from writing/producing/directing team Kris and Lindy Boustedt, made its world premiere at Dances with Films in Hollywood. It’s a beautifully shot and emotionally charged foray into the world of a once-happy couple whose lives and relationship verge on disintegration.” Living in Cinema.
Critic Reviews‘The transporting power of this experience is in the passionate and almost outlandishly eloquent verbal expression Trumbo poured into his correspondence, and the vividly American principles he defends.’ film.com ‘It will serve as a fine entry point for younger auds interested in learning about theprice paid by moviemakers and their families swept up in the 1950s anti-Communist net.’ Variety ‘The film is an enlightening recap of ’50s Red Scare politics, and a parade of actors giving meaningful, earnest readings of Trumbo’s speeches and letters.’ Newsday.
AwardsWinner Freedom of Expression Award at the National Board of Review, USA
Lost in La Mancha is a 2002 documentary film about the making of Terry Gilliam’s first attempt at The Man Who Killed Don Quixote. His effort was a film adaptation of the novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during Gilliam’s first attempt to make the film, as an intended work of the genre known as the “making-of”. But Gilliam’s failure to complete his movie resulted in the documentary filmmakers retitling their work as Lost in la Mancha and releasing it independently.
Critic Leonard Maltin has described Lost in La Mancha as one of the best films about the process of moviemaking. It was nominated for various awards, including a BAFTA Award and a Satellite Award for Best Documentary Film. It won a Satellite Award for Best Documentary.
‘Anyone who thinks making movies is easy needs to see this hilariously painful cautionary tale. It’s a tribute to Gilliam that he never once took off his mike or asked the filmmakers to stop rolling.’ Newsweek
‘Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.’ Globe and Mail
‘A fascinating chronicle of bad luck, bad faith and bad weather all striking on the same day.’ Washington Post
Evening Standard British Film Awards 2003 Winner Peter Sellers Award for Comedy Keith Fulton
Satellite Awards 2004 Winner Golden Satellite Award Best Documentary DVD
Critic Reviews‘Dolan loves close-ups and he gives his actors every chance to demonstrate their talent for ringing the emotional changes in a single take.’ Sydney Morning Herald ‘As outrageous as it is insightful, Mommy is a mother-and-son melodrama taken to operatic heights.’ Times UK ‘Dolan has previously been accused of style over substance but here he draws both magnificently together. It’s perhaps a little too long, but Mommy is a movie to make you feel alive.’ Empire Magazine
AwardsBodil Awards 2016 Winner of a Bodil for Best Non-American Film Canadian Screen Awards, CA 2015 Winner of the Canadian Screen Award for Best Motion Picture, Achievement in Cinematography, Achievement in Direction, Achievement in Editing, Performance by an Actor in a Leading Role, Performance by an Actress in a Leading Role, Performance by an Actress in a Supporting Role, Original Screenplay, Achievement in Makeup Cannes Film Festival 2014 Winner of the Jury Prize CinEuphoria Awards 2015 Winner CinEuphoria Best Director – International Competition César Awards, France 2015 Winner of a César for Best Foreign Film Directors Guild of Canada 2015 Winner of the DGC Team Award for best Feature Film International Cinephile Society Awards 2014 Winner of the ICS Cannes Award – Palme d’Or Italian Online Movie Awards (IOMA) 2015 – Winner IOMA for best Best Picture, Best Actress, Best Supporting Actress and Best Original Screenplay
Critic Reviews‘DP Jay Hunter’s camera floats like a butterfly through doorways and windows, stinging as it catches characters in moments of eavesdropping-inspired stunned epiphany.’ Sight and Sound ‘Much Ado About Nothing is a delightfully spirited romp, filled with visual splendor, strong performances and flashes of post-modern absurdity.’ USA Today ‘The movie swings along, with a grace denied to some of Whedon’s grander projects …’ New Yorker ‘The magic holds. It holds from beginning to end.’ Chicago Sun-Times ‘One of my Top Ten picks of the year. Welcome to the World of Whedon where Shakespeare not only lives, but thrives.’ Behind the Lens
AwardsNational Board of Review, USA 2013 Winner of theNBR Award for Top Ten Independent Films
Critic Reviews‘Emily Watson, who always brings a special grace to the screen, gives a multilayered performance to the role of Margaret Humphreys, who not only puts her own family dynamic at risk but finds herself physically threatened.’ San Fransisco Chronicle ‘Emily Watson, a delicate English rose, has never seemed more sturdy than here.’ Chicago Sun Times ‘As the story ricochets between Britain and Australia, the film often loses track of time and becomes fragmented as it struggles to integrate too many subplots. What holds it together is Ms. Watson’s calm, sturdy performance.’ New York Times ‘Despite the difficulties the team faced when filming on opposite sides of the world, Oranges and Sunshine beats with one heart and develops its story coherently.’ CineVue ‘Jim Loach’s feature debut presents the horrific injustice of forced child migration in a calm, measured manner.’ The Sun-Herald
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards 2012 Winner AACTA Award Best Supporting Actor Hugo Weaving Australian Film Critics Association Awards 2012 Winner AFCA Award – Best Actress Emily Watson Australian Screen Editors 2011 Winner ASE Award Avid Award for Best Editing on a Feature Film Australian Screen Sound Guild 2011 Winner ASSG Award Best Achievement in Mixing in a Feature Film
Critic Reviews‘One of the best documentaries of the year.’ Entertainment Weekly ‘At times it plays like an extended skit on “The Daily Show”; yet its disorder also makes its insights – like how strongly the church’s training sessions resemble acting classes – feel refreshingly organic.’ New York Times
Critic Reviews‘Macdonald makes artful use of jarring, subversive cuts to highlight the contradictions in Houston’s career.’ New Yorker ‘Kevin Macdonald’s “Whitney” is a documentary chronicle of Whitney Houston’s life; it’s tough-minded, unsparing and far superior to the biopic and the nonfiction film that preceded it.’ Wall Street Journal ‘Kevin Macdonald’s electrifying and empathetic doc on Whitney Houston drops a shocking revelation about abuse- but if his look at how she fell apart shortchanges the range of her talent it is anything but sensationalistic,’ Rolling Stone
AwardsEdinburgh International Film Festival 2018 Winner of Best Documentary Feature Film
Critic Reviews‘The Florida Project absolutely sings as a visual achievement, and not only as that.’ Daily Telegraph (UK) ‘The Florida Project is one of the best films about childhood made anywhere in recent years.’ Independent (UK)
AwardsAFI Awards, USA 2018 Winner AFI Award – Movie of the Year Alliance of Women Film Journalists 2018 Winner EDA Award for Best Supporting Actor – Willem Dafoe and Winner of the EDA Female Focus Award – Best Breakthrough Performance Austin Film Critics Association 2018 Winner of the AFCA Award for Best Supporting Actor Bodil Awards 2019 Winner of the Bodil for Best American Film CinEuphoria Awards 2019 Winner CinEuphoria for Top Ten of the Year – International Competition Detroit Film Critics Society Awards 2017 Winner of the DFCS Award for Best Film, Best Director and Best Supporting Actor New York Film Critics, Online 2017 Winner of the NYFCO Award for Best Film San Francisco Film Critics Circle 2017 Winner of the SFFCC Award for Best Picture
Critic Reviews‘Mid90s is alive to the debauchery and obnoxiousness of teenagers, but also to their warmth and loyalty.’ Times (UK) ‘Mid90s cares less about making you laugh than enveloping you in the moment, even when the moments consist of nothing more than killed time – daft small talk, the lazy throb of hip hop, the therapeutic purr and slap of skateboard wheels on concrete.’ Daily Telegraph (UK)
AwardsArt Film Festival 2019 Winner of the Blue Angel for Best Director Golden Trailer Awards 2019 Winner of the Golden Trailer for Most Innovative Advertising for a Feature Film National Board of Review, USA 2018 Winner of the NBR Award for Top Ten Independent Films
Critic Reviews‘It all makes for an absorbing, mischievously amusing yarn, whose climax unfolds with unexpected emotional force.’ Washington Post ‘The tension builds incrementally, reaching almost unbearable heights at its dizzying climax.’ Sight and Sound ‘Reminds us that dreams can come true and men can fly, through the heights of the imagination and the triumph of the human spirit – this a film for all those who ever dared to dream.’ From the Front Row ‘In this exhilarating, palm-moistening documentary by British filmmaker James Marsh (Wisconsin Death Trip), the twin towers are back to celebrate one of their finest moments.’ Film.com
AwardsAcademy Awards, USA 2009 Winner of an Oscar for best documentary, Features BAFTA Awards 2009 Winner of the Alexander Korda Award for Best British Film AARP Movies for Grownups Awards 2009 Winner Movies for Grownups Award Alliance of Women Film Journalists 2008 Winner of Best Edited Documentary Austin Film Critics Association 2008 Winner of Best Documentary British Independent Film Awards 2008 Winner British Independent Film Award for Best British Documentary Film Independent Spirit Awards 2009 Winner of the Independent Spirit Award for Best Documentary International Documentary Association 2008 Winner of the IDA Award for best Feature Documentary Sundance Film Festival 2008 Winner of the Audience Award for best in World Cinema – Documentary
Critic Reviews‘Director-writer Jonathan Hayes piques our interest with incredible camera angles and the spectacular scenery.’ canada.com ‘It all feels very Canadian, in good way’ Globe & Mail
AwardsWorldFest Houston 2014 Winner of the Special Jury Award for Best Feature Film
I Am Not Your Negro is a 2016 documentary film directed by Raoul Peck, based on James Baldwin’s unfinished manuscript Remember This House. It was nominated for Best Documentary Feature at the 89th Academy Awards and won the BAFTA Award for Best Documentary.
Joe Morgenstern from the Wall Street Journal said, “the film is unsparing as history and enthralling as biography. It’s an evocation of a passionate soul in a tumultuous era, a film that uses Baldwin’s spoken words, and his notes for an unfinished book, to illuminate the struggle for civil rights.”
‘I Am Not Your Negro is an utterly brilliant film – bold, galvanising, even gripping…’ Sydney Morning Herald
‘Baldwin re-emerges as a devastatingly eloquent speaker and public intellectual; a figure who deserves his place alongside Edward Said, Frantz Fanon or Gore Vidal.’ Guardian
‘Raoul Peck’s lyrical documentary was nominated for an Oscar this year, and it really should have won.’ Times UK
‘An astonishment.’ Observer (UK)
BAFTA Awards 2018 Winner of the BAFTA Film Award for Best Documentary
Australian Film Critics Association Awards 2018 Winner of the AFCA Award for Best Documentary
Berlin International Film Festival 2017 Winner of the Panorama Audience Award for best Documentary Film – Raoul Peck
Winner of the Prize of the Ecumenical Jury – Special Mention – Panorama
Chicago International Film Festival 2016 Winner of the Audience Choice Award for Best Documentary Feature
César Awards, France 2018 Winner of the César for Best Documentary Film
Dublin International Film Festival 2017 Winner of the Dublin Film Critics Award for Best Documentary
Empire Awards, UK 2018 Winner of the Empire Award for Best Documentary
Golden Trailer Awards 2017 Winner of the Golden Trailer for Best Documentary
London Critics Circle Film Awards 2018 Winner of the ALFS Award for Documentary of the Year
Los Angeles Film Critics Association Awards 2016 Winner of the LAFCA Award for Best Documentary/Non-Fiction Film
News & Documentary Emmy Awards 2019 Winner of the Emmy – Outstanding Arts & Culture Documentary
San Francisco Film Critics Circle 2016 Winner of the SFFCC Award for Best Documentary
Toronto International Film Festival 2016 Winner of the People’s Choice Award for best Documentary
Critic Reviews‘Beautifully filmed testimonies that tear at your soul.’ Little White Lies ‘Difficult, but hugely important film-making.’ Times (UK) ‘Ai Weiwei’s magnificent documentary stands as a companion piece to the BBC’s series, Exodus: Our Journey To Europe.’ Independent (UK) ‘A powerful portrait of horror, hope and humanity emerges.’ Total Film (UK)
AwardsBambi Awards 2017 Winner of the Bambi Award for Courage – Weiwei Ai Venice Film Festival 2017 Winner of the CICT-UNESCO Enrico Fulchignoni Award – Weiwei Ai Winner of the Fair Play Cinema Award – Special Mention – Weiwei Ai Winner of the Fondazione Mimmo Rotella Award – Weiwei Ai Winner of the Human Rights Film Network Award – Special Mention – Weiwei Ai Winner of the Leoncino d’Oro Agiscuola Award – Cinema for UNICEF – Weiwei Ai
“My Accomplice is an enjoyable little story that bimbles along quite pleasantly and leaves one generally pleased for having watched it.” Eye for Film.
Edinburgh International Film Festival, 2014. Nominee for the best British feature film.
In Order of Disappearance is a 2014 Norwegian black comedy action film directed by Hans Petter Moland and starring Stellan Skarsgård. The film had its premiere in the competition section of the 64th Berlin International Film Festival.
Introverted and hard-working snow plow driver Nils has just been named Citizen of The Year, when he receives news that his son has died of a heroin overdose. Disbelieving the official report, Nils soon uncovers evidence of the young man’s murder–a victim in a turf war between the local crime boss, known as “The Count”, and his Serbian rivals.
‘A delicious Norwegian film full of icy landscapes and icier hearts.’ New York Times’
‘A cheeky black comedy and worthy Norwegian successor to Kill Bill.’ Globe and Mail
‘Moland possesses the rare ability to take a story where the viewer knows almost exactly what will happen and make it surprising.’ Salon.com
‘Moland’s In Order of Disappearance is a dark fable played firmly for laughs… A joy to watch.’ CineVue
‘This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.’ Arts Fuse
Fantasia Film Festival 2014 Winner Best International Film
Austin Fantastic Fest 2014 Winner of Best Actor and Winner Best Director
Critic Reviews‘Fascinating, witty and heartfelt.’ Times UK ‘Moments of clarity and pragmatism are contradicted by flashes of inanity and dry, if well-delivered humour.’ Little White Lies ‘Departure’s cynicism, ironically, is what makes the optimism of its last act so moving.’ London Evening Standard
AwardsAcademy Awards, USA 2009, winner of an Oscar for Best Foreign Language Film of the Year Asia Pacific Screen Awards 2009, Asia Pacific Screen Award winner of the Best Performance by an Actor Asian Film Awards 2009, winner of the Asian Film Award for Best Actor Hong Kong Film Awards 2010, winner of best asian film
Critic Reviews‘What makes Nichols’ film so satisfying, at least until the melodrama of the final act, is the deftness of the characterisations and the constant sense that things are probably considerably more complex than they’re perceived.’ Sight and Sound ‘An impressively sustained slow-burn parable from writer-director Jeff Nichols, shot with ominous beauty, guarding its mysteries with care.’ Daily Telegraph UK ‘A hallucinatory thriller anchored by a deeply resonant sense of unease.’ Variety
AwardsAcademy of Science Fiction, Fantasy & Horror Films, USA 2012 Winner of the Saturn Award for Best Actor – Michael Shannon Best Writing – Jeff Nichols Austin Film Critics Association 2011 Winner of the AFCA Award for Best Actor – Michael Shannon Best Supporting Actress – Jessica Chastain Winner of the Austin Film Award – Jeff Nichols Winner of the Breakthrough Artist Award- Jessica Chastain Cannes Film Festival 2011 Winner of the Critics Week Grand Prize – Jeff Nichols Winner of the FIPRESCI Prize for Directors’ Fortnight or Critics’ Week – Jeff Nichols Winner of the SACD Award – Jeff Nichols New York Film Critics Circle Awards 2011 Winner NYFCC Award for Best Supporting Actress – Jessica Chastain New York Film Critics, Online 2011 Winner of the NYFCO Award for Best Actor – Michael Shannon Breakthrough Performance – Jessica Chastain Toronto Film Critics Association Awards 2011 Winner of the TFCA Award for Best Actor – Michael Shannon Best Supporting Actress – Jessica Chastain
Award winning The Flowers of War is a 2011 historical drama war film directed by Zhang Yimou, starring Christian Bale, Ni Ni, Zhang Xinyi, Tong Dawei, Atsuro Watabe, Shigeo Kobayashi and Cao Kefan. The beautifully shot story is set in Nanking, China, during the 1937 Nanking Massacre in the Second Sino-Japanese War. A group of escapees, finding sanctuary in a church compound, try to survive the plight and persecution brought on by the violent invasion of the city.
Pete Hammond from Boxoffice Magazine gave it 4 stars of 5, and said “The Flowers of War is ultimately an inspiring, stirring and unforgettable human drama in the face of a horrifying war. It is highly recommended.
“The Flowers of War is a big movie in every sense of the word, from its kinetic battle scenes to the beautiful photography and impressive performances from a mostly young and inexperienced cast.”
‘Bale is forthright and emotional in the role, and with a hint of boyish vulnerability, even reminds us of his 13-year-old self in Spielberg’s Empire of the Sun.’ The Guardian
‘As you’d expect, it’s beautiful, emotional and exciting, if florid in style. Bale, beauties and English dialogue widen Yimou’s appeal.’ Empire
Asian Film Awards 2012 Winner of the Asian Film Award for Best Newcomer Ni Ni
Asian Film Critics Association Awards 2012 Winner of the NETPAC Award for Best Picture, Best Director and Best New Performer
Chinese American Film Festival (C.A.F.F.) 2012 Winner of the Golden Angel Award for Outstanding Film
Chinese Film Media Awards 2012 Winner of the Audience Award for Favourite Actor – Dawei Tong and Favorite Actress – Ni Ni
Shanghai Film Critics Awards 2012 Winner of the Film of Merit
Shanghai Film Critics Award winner of Best Actress – Ni Ni
Writers Guild of China Film Association 2012 Winner of the WGC Award for Outstanding Screenplay
Winner of three prime-time Emmy’s, Mea Maxima Culpa: Silence in the House of God is a 2012 documentary film directed by Oscar winning Alex Gibney. The film details the first known protest against clerical sex abuse in the United States by four deaf men.
Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men, who in the first known case of public protest, set out to expose the priest who abused them. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland’s churches, all the way to the highest office of the Vatican.
‘A kind of unintentional leaving gift for the outgoing Pope Benedict, though it is not one he is likely to relish.’ Guardian
‘The case has been widely reported but this is still an important film, laying out who knew what, and when. It’s chilling: the conspiracy of silence goes all the way to the Vatican.’ Time Out
‘In the end, decades of such crimes going undetected and undeterred under the aegis of one employer – any employer – speaks for itself. And the extraordinary perseverance and courage of the men from St. John’s speaks louder still.’ New York Post
‘There is something to be said for a clear and unblinking recitation of facts, and thankfully Mr. Gibney does a lot of that.’ New York Times
Primetime Emmy Awards 2013, Exceptional Merit in Documentary Filmmaking, Outstanding Picture Editing for Nonfiction Programming, Outstanding Writing for Nonfiction Programming.
Irish Film and Television Awards 2013, winner of Best Feature Documentary
London Film Festival 2012, winner of the Grierson Award
The Television Academy Honors 2014, winner of the Television Academy Honors
Project Nim was released to critical acclaim. The film has won 15 and was nominated for 27 awards, including Best Documentary at the 65th British Academy Film Awards.
Project Nim is a 2011 British documentary film. It focuses on Project Nim, a research project that was mounted in the 1970s to determine whether a primate raised in close contact with humans could develop a limited “language” based on American Sign Language.
Equal parts hilarious, poignant, and heartbreaking, Project Nim not only tells a compelling story masterfully, but also raises the flag on the darker side of human nature.
‘This haunting life story is an exquisite example of non-fiction filmmaking as full-bodied, emotionally complex drama.’ Hollywood Reporter
‘The release of this documentary by James Marsh in the same week as Rise of the Planet of the Apes is wittily timed. It too speaks of caged primates, though its judgement on their captors is far more disturbing.’ Independent UK
‘Marsh, who made the multi-awarded Man on a Wire, takes no sides but lets the humans speak for themselves, rum lot that they are.’ London Evening Standard
‘A harrowing and intensely powerful tale of an animal who was perhaps more human than the actual humans around him.’ From the Front Row
Awards Circuit Community Awards 2011
Winner of theACCA award for Best Documentary Feature
Boston Society of Film Critics Awards 2011
Winner of theBSFC Award for Best Documentary – James Marsh
Directors Guild of America, USA 2012
Winner of theDGA Award for Outstanding Directorial Achievement in Documentary – James Marsh
Florida Film Critics Circle Awards 2011
Winner of the FFCC Award for Best Documentary
San Diego Film Critics Society Awards 2011
Winner of the SDFCS Award for Best Documentary
La Vie en Rose is a 2007 French biographical musical film about the life of French singer Édith Piaf. The film was co-written and directed by Olivier Dahan, and starred Marion Cotillard as Piaf.
Cotillard’s performance earned her several accolades including the Academy Award for Best Actress — marking the first time an Oscar had been given for a French-language role — the BAFTA Award for Best Actress in a Leading Role, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the César Award for Best Actress in a Leading Role for her performance. The film also won the Academy Award for Best Makeup, the BAFTA Award for Best Makeup, Costume Design, Film Music, four additional César Awards and grossed $86.3 million worldwide.
‘Despite its story of suffering that comes in unceasing waves, La Vie en Rose may be the most hopeful film yet made about the grueling rigor of living.’ Charleston City Paper
‘In La Vie En Rose,we get to witness a rare and beautiful thing – an artist baring her soul and creating a performance for the ages.’ The Dispatch
‘In La Vie en Rose, Marion Cotillard has the role of a lifetime. And she relishes it.’ Fayette Weekly
Academy Awards, USA 2008 Winner Oscar Best Performance by an Actress in a Leading Role Marion Cotillard
Best Achievement in Makeup Didier Lavergne, Jan Archibald
Golden Globes, USA 2008 Winner Golden Globe Best Performance by an Actress in a Motion Picture – Comedy or Musical
Winner Anthony Asquith Award for Film MusicChristopher Gunning
Winner BAFTA Film Award Best Leading Actress Marion Cotillard
Best Costume Design Marit Allen
Best Make Up & Hair
César Awards, France 2008 Winner César Best Actress (Meilleure actrice) Marion Cotillard
Best Cinematography (Meilleure photographie) Tetsuo Nagata
Best Production Design (Meilleurs décors) Olivier Raoux
Best Costume Design (Meilleurs costumes) Marit Allen
Best Sound (Meilleur son) Laurent Zeilig
Hollywood Film Awards 2007 Winner Hollywood Film Award Actress of the Year
Critic Reviews‘Life is the collection of memories, and Campbell is losing them. But there is solace in the reality that you will not miss what you cannot recall.’ Globe and Mail ‘It’s a rare, intensely personal look at Alzheimer’s that will be tragically familiar to those who have lived with it and sobering and sad for those who have not.’ Toronto Star ‘Emotional and intimate.’ Toronto Sun ‘ This is a portrait of a star gaining luster even as his mortality becomes more evident.’ Seattle Times
AwardsEdmonton International Film Festival 2014 Winner of most outstanding biography Grammy Awards 2016 Winner of the best compilation soundtrack Nashville Film Festival 2014 Winner of the Grand Jury Prize Vancouver International Film Festival 2014 Winner of the award for most popular documentary feature film
Queen of the sun takes us on a journey through the catastrophic disappearance of bees. This engaging and ultimately uplifting film weaves an unusual and dramatic story of the heartfelt struggles of beekeepers, scientists and philosophers from around the world.
Rich subject matter and persuasive presentation make this visually appealing nature documentary worth buzzing about. Hollywood Reporter
‘Queen of the Sun” is a beautiful nature film, with gorgeous, multicolored shots of bees and flowers. It also is a well-made documentary about the troubles of the honeybee. New York Post
What it is doing, and beautifully, is making a sunny and optimistic case for why the world is worth saving, via gorgeous imagery and poetic appreciations of the bees themselves. NPR
“Queen” sheds much-needed light on a disaster in progress. Los Angeles Times
Their honey has never looked so delicious. Or so precious. New York Times
Queen of the Sun optimistically counters with a panoply of ravishing shots featuring harmonious interaction between bees and impossibly colorful flowers, even as it plays up “the miracle of nature” angle a tad too heavily. Time Out
One of the most beautifully filmed documentaries that I’ve ever seen. Hollywood Report Card
International Documentary Association, 2010. Winner of the Pare Lorenz Award – honourable mention.
Red Rock Film Festival, 2010. Winner of the Grand Jury Prize for Best Documentary Feature.
Precious, is a 2009 American drama film, directed and co-produced by Lee Daniels.
The film, then without a distributor, premiered to acclaim at both the 2009 Sundance Film Festival and the 2009 Cannes Film Festival, under its original title of Push: Based on the Novel by Sapphire.At Sundance, it won the Audience Award and the Grand Jury Prize for best drama, as well as a Special Jury Prize for supporting actress Mo’Nique. After Precious’ screening at Sundance in January 2009, Tyler Perry announced that he and Oprah Winfrey would be providing promotional assistance to the film, which was released through Lionsgate Entertainment. Precious won the People’s Choice Award at the Toronto International Film Festival in September. Precious was also an official selection at the 62nd Cannes Film Festival (particularly the un certain regard section).
Precious received six nominations at the 82nd Academy Awards, including Best Picture, Best Director for Daniels, and Best Actress for Sidibe. Mo’Nique won the award for Best Supporting Actress, while Geoffrey Fletcher won for Best Adapted Screenplay, becoming the first African-American to win a screenplay award at the Oscars.
‘Precious is an emotional powerhouse, a triumph of bruising humor and bracing hope that deserves its place among the year’s best films.’ Rolling Stone
‘While it may not be perfect on a technical level, dramatically it’s a blow-your-socks-off triumph. Be moved. Very, very moved’ Empire Magazine
‘A film full of life and love, well-meaning and, judging by the reaction in the US, a genuine and important phenomenon that says act – don’t dwell – on your dreams.’ Time Out
‘Impressive performances power a surprisingly lively account of an existence blighted by material and spiritual poverty.’ Film 4
‘Precious is a big-screen “misery memoir” that is so keen to trace the hellish pathology of familial abuse that it risks glorifying its own subject, or at least shooting it with horror-movie verve.’ Times UK
‘It isn’t the transcendent masterpiece that some admirers would have you believe: more like a black-comic nightmare that isn’t exactly supposed to be funny. It’s certainly arresting, though.’ The Guardian
Academy Awards, USA 2010
Winner Oscar for Best Performance by an Actress in a Supporting Role – Mo’Nique Best Writing, Adapted Screenplay – Geoffrey Fletcher Geoffrey Fletcher became the first African American to win a Best Screenplay Oscar
Golden Globes, USA 2010 Winner of theGolden Globe for Best Performance by an Actress in a Supporting Role in a Motion Picture – Mo’Nique
BAFTA Awards 2010 Winner – BAFTA Film Award Best Supporting Actress
Screen Actors Guild Awards 2010 Winner of Actor for Outstanding Performance by a Female Actor in a Supporting Role – Mo’Nique
CinEuphoria Awards 2011 Winner of theCinEuphoria for Best Actress – Audience Award – Gabourey Sidibe
Top Ten of the Year – Audience Award – Lee Daniels Top Ten of the Year – International Competition – Lee Daniels Best Duo – International Competition – Mo’Nique & Gabourey Sidibe
Film Independent Spirit Awards 2010 Winner of the Independent Spirit Award for Best Feature – Lee Daniels, Sarah Siegel-Magness, Gary Magness Best Female Lead – Gabourey Sidibe Best Supporting Female – Mo’Nique Best Director – Lee Daniels Best First Screenplay
Critic Reviews‘Don’t watch this film and expect an authoritative critical analysis of the film; watch it and explore the distorting, drug-like pull that some art can exert on its audience.’ Times (UK)
AwardsAustin Fantastic Fest Winner Jury Prize for Best Film & Best Director International Documentary Association Winner Creative Recognition Award for Best Editing
My Feral Heart is a beautifully realised, understated character study bolstered by strong performances, distinctive cinematography and a deeply evocative score.
‘There’s a lot to like here, including the thoughtful portrait of disability, director Jane Gull’s knack with performers of all ability, and the shimmering cinematography by Susanne Salavati’ The Guardian
‘Gull has a keen eye for nature, beautifully captured by cinematographer Susanne Salavati’ Eye for Film
‘Achingly poignant and beautifully acted’ Observer (UK)
Woodstock Film Festival 2016 Winner of the James Lyons Award for Best Editing of a Feature Narrative
Cinequest San Jose Film Festival 2016 Winner of the Audience Award for best Feature Drama
Fargo Film Festival 2016 Winner of the Honourable Mention for best Narrative Feature
Critic Reviews‘A darkly cynical and uncompromising gem.’ Film 4 ‘Best to savour The Grifters for its handsome design — the picture looks as clean as a Hockney landscape — and its juicy performances.’ TIME Magazine ‘A slick and stylish neo-noir crime drama featuring three exceptional performances.’ BackSeat Mafia
AwardsBoston Society of Film Critics Awards Winner BSFC Award for Best Actress Edgar Allan Poe Awards Winner Edgar Award for Best Motion Picture Film Independent Spirit Awards Winner of theIndependent Spirit Award for Best Feature and Best Female Lead London Critics Circle Film Awards Winner ALFS Award Newcomer of the Year National Board of Review, USA Winner NBR Award for Top Ten Films
“Black Book” tells the moving story of a young Jewish woman who joins the Resistance in The Hague and gets entangled in a deadly web of double-dealing and betrayal. It is is an epic thriller of great courage and fierce emotion–played out against the dying, explosive months of WW II.
The film had its world premiere on 1 September 2006 at the Venice Film Festival. Winner of three Golden Calves, Black Book won the most awards at the Netherlands Film Festival in 2006.
‘The film manages to turn German occupied Holland circa 1944 into a fast-paced thrill ride without sacrificing the emotional core and very real human toll.’ From the Front Row
‘Seven years after he disappeared with the whimper that was Hollow Man, Paul Verhoeven has returned with what may be his best film.’ Stop Smiling
‘The handsomely mounted, heedlessly pulpy modernist World War II thriller that “The Good German” and “Valkyrie” failed to be – a dizzying rush of daring rescues, sexual intrigue, treachery, betrayal, gunfights, hasty conclusions and harrowing consequences.’ The Film Yap
Austin Film Critics Association 2007 Winner of the AFCA Award for Best Foreign Language Film
Capri, Hollywood 2007 Winner of the Capri Cult Award
Golden and Platin Film, Netherlands 2007 Winner of the Diamond Film
Nederlands Film Festival 2006 Winner of the Golden Calf for Best Film, Best Actress and Best Director of a Feature Film
Venice Film Festival 2006 Winner of the Young Cinema Award for Best International Film
Moonlight is a 2016 American coming-of-age drama film written and directed by Barry Jenkins, based on Tarell Alvin McCraney’s unpublished semi-autobiographical play In Moonlight Black Boys Look Blue.
The film presents three stages in the life of the main character: his youth, adolescence, and early adult life. It explores the difficulties he faces with his sexuality and identity, including the physical and emotional abuse he endures growing up. Filmed in Miami, Florida, beginning in 2015, Moonlight premiered at the Telluride Film Festival on September 2, 2016. It was released in the United States on October 21, 2016 by A24, receiving positive reviews and grossing over $65 million worldwide.
Moonlight is cited as one of the best films of the 21st century. The film won several accolades, including the Golden Globe Award for Best Motion Picture – Drama and the Academy Award for Best Picture, along with Best Supporting Actor for Ali and Best Adapted Screenplay for Jenkins and McCraney from a total of eight nominations. It became the first film with an all-black cast, the first LGBTQ-related film, and the second-lowest-grossing film domestically (behind The Hurt Locker) to win the Oscar for Best Picture. Joi McMillon became the first black woman to be nominated for an editing Oscar, and Ali became the first Muslim to win an acting Oscar.
‘You won’t find a more sensitively rendered, evocative, or surprising coming-of-age film than Barry Jenkins’s Moonlight.’ Independent (UK)
‘Jenkins’ authorial voice is resounding and strong and his determination admirable.; Little White Lies
‘Moonlight is at its most eloquent when its subtext is soft-spoken.’ Sight and Sound
Academy Awards, USA 2017 Winner of the Oscar for Best Motion Picture of the Year (Dede Gardner became the first woman to win Best Picture twice.) Academy Awards, USA 2017 Winner of the Oscar for Best Performance by an Actor in a Supporting Role
Golden Globes, USA 2017 Winner of the Golden Globe for Best Motion Picture – Drama
Screen Actors Guild Awards 2017 Winner of the best Actor Outstanding Performance by a Male Actor in a Supporting Role
African-American Film Critics Association (AAFCA) 2016 Winner of the AAFCA Award for Best Picture, Winner of Best Director, Winner of Best Supporting Actor, Winner of Best Breakout Performance
Atlantic Film Festival 2016 Winner of the Audience Award for People’s Choice Award
Austin Film Critics Association 2020 Winner of the AFCA Award for Best Movie of the Decade
Austin Film Critics Association 2016 Winner off the AFCA Award for Best Film, Winner of Best Director, Winner of Best Supporting Actor, Winner of Best Original Screenplay, Winner of Special Honorary Award
Francois Ozon’s humorous psychological drama The New Girlfriend stars Anais Demoustier as Claire, a young woman whose closest friend since childhood, Lea, passes away leaving behind a husband, David (Romain Duris) and a newborn baby. One day she drops by David’s house unexpectedly, and finds him dressed in his dead wife’s clothes and feeding their baby with a bottle. He explains that Lea was well aware of his predilection, and eventually, so relieved that he has someone to share his secret with, David and Claire create a female persona for him named Virginia.
Writing for The Hollywood Reporter, David Rooney expressed his compliments on The New Girlfriend: “a delectable riff on transformation, desire and sexuality that blends the heightened reality of melodrama with mischievous humor and an understated strain of Hitchcockian suspense.” At Variety, Justin Chang said “even as he (Ozon) heads down any number of tantalizing if borderline-nonsensical alleyways, Ozon maintains his diabolical wit, his infectious sense of play and his essential affection for his characters” and the film was “powered by beautifully controlled performances from Anaïs Demoustier and Romain Duris”
‘It’s less than it should’ve been, and a little mild. But Ozon makes it glide with confidence, in or out of heels.’ Chicago Tribune
‘”The New Girlfriend” never pretends to be more than what it is, a delicious and frothy fantasia with a teasing erotic frisson.’ New York Times
‘In Ozon’s confident hands, “The New Girlfriend” has moments that juxtapose gentle humor and surprising depth of feeling.’ Washinton Post
‘In The New Girlfriend, viewers are given a piece that walks the tightrope between drama and comedy, thriller and thinkpiece. This is a film that artfully ponders the process of grief while also finding rebirth from within.’ CineVue
San Sebastián International Film Festival 2014 Winner of the Sebastiane Award for Best Film