Art of the Prank is an emotional and humorous journey following the evolution of Joey Skaggs, Godfather of the media hoax, as he tries to pull off the most challenging prank of his career. This is interwoven with amazing archive footage of his earlier escapades-all reported as fact by prestigious journalists. The resulting twists and turns provide unprecedented insight into Joey's work as an artist, activist and social satirist. Award-winning documentary about New York artist Joey Skaggs, the godfather of the media hoax, as he tries to pull off the most challenging prank of his career.

Awards

Lower East Side Film Festival 2016, winner of best of fest San Francisco Docfest 2016, winner of the Jury Prize Slamdance Film Festival 2016, winner of best documentary feature The Alhambra Theatre Film Festival 2016, winner of best documentary  
Two teenage boys in Scotland in 1994, best friends with no control over their lives, risk everything to attend an illegal rave, hoping for the best night of their boring lives. Beats is a 2019 British drama film directed Brian Welsh. It was based upon a play of the same name by Kieran Hurley, who adapted the screenplay with Welsh; Steven Soderbergh acts as an executive producer. The plot follows a pair of teenage friends in 1994 Scotland who try and sneak into an illegal rave party. "Well-acted and enlivened by an evocative soundtrack and period detail, Beats draws timeless themes out of its specific story and setting.” Wendy Ide of The Guardian gave the film 4/5 stars, writing: "It's a terrific little film that combines the earthy humour and honesty of a Shane Meadows movie with an unexpected expressionistic section – flooded with colour – that channels the boys' joyful dancefloor abandon.” In a separate Guardian review, Mike McCahill gave it three stars, saying that "this teen bromance eventually escapes into amiable nostalgia and artful euphoria”

Critic Reviews

‘This tender, detail-filled movie lives for the moment.’ New York Times ‘Welsh has delivered a compelling snapshot of an era and captured a moment in life when friendship is at its most sustaining.’ Sydney Morning Herald ‘The script, adapted by Welsh and Kieran Hurley from Hurley's play, is especially good on the preciousness and subjectivity of cultural experience.’ Times UK ‘Funny, as well as emotionally rewarding.’ London Evening Standard

Awards

BAFTA Awards, Scotland 2019 Winner of the BAFTA Scotland Award for Best Actor - Film Lorn Macdonald British Independent Film Awards 2019 Winner of the British Independent Film Award for Best Cinematography - Benjamin Kracun and winner for Best Sound Film by the Sea International Film Festival 2019 Winner of the International Student Jury Award - International Student Jury for Brian Welsh (director) Hamilton Behind The Camera Awards 2019 Winner of the Behind the Camera Award - Torino Film Festival 2019 for Brian Welsh (director)
'Daphne' is the vibrant character portrait of a young woman on the threshold of a much-needed change.

Daphne is a 2017 British drama film directed by Peter Mackie Burns and written by Nico Mensinga. The film stars Emily Beecham, Geraldine James, Nathaniel Martello-White, Osy Ikhile, Sinead Matthews and Stuart McQuarrie.

The film premiered at the International Film Festival Rotterdam on 29 January 2017 and garnered positive reviews. "Led by Emily Beecham's note-perfect performance, Daphne is a vivid portrait of a woman in flux - and an auspicious narrative debut for director Peter Mackie Burns"

Critic Reviews

‘The film finally adds up to more than the sum of its well-wrought parts, offering a quietly profound insight into this young woman's attempt to navigate a world that is both familiar and brutally alien.’ Sight and Sound

‘It's one of the best films about London living I can recently recall.’ Daily Telegraph (UK)

‘Mackie Burns handles the tale like a seasoned pro, and Beecham is terrifically watchable throughout.’ The Herald (Scotland)

Awards

Dinard British Film Festival 2017 Winner of Best Screenplay - Peter Mackie Burns (director) and The Bureau (production company)

Edinburgh International Film Festival 2017 Winner of Best Performance in a British Feature Film Best Performance - Emily Beecham and Anne Reid

Torino Film Festival 2017 Winner of the Prize of the City of Torino for Best Actress - Emily Beecham

Following the style of some of the world's most prolific street artists, an amateur filmmaker makes a foray into the art world. Exit Through the Gift Shop: A Banksy Film is a 2010 British documentary film, directed by street artist Banksy. It tells the story of Thierry Guetta, a French immigrant in Los Angeles, and his obsession with street art. The film premiered at the 2010 Sundance Film Festival on 24 January 2010, and it was nominated for the Academy Award for Best Documentary Feature. "An amusing, engrossing look at underground art, Exit Through the Gift Shop entertains as it deflates the myths and hype surrounding its subjects." The film was also nominated for Academy Award for Best Documentary Feature at the 83rd Academy Awards. New York Film Critics Online bestowed its Best Documentary Award on the film in 2010. French journalist Marjolaine Gout gave it 4 stars out of 5, linking Mr. Brainwash and Jeff Koons and criticizing Thierry Guetta's art as toilet papering.

Critic Reviews

‘Banksy proves that his talents extend beyond the spray can to the movie camera.’ Independent (UK) ‘Exit Through the Gift Shop offers an absorbing glimpse of a bracingly subversive slice of the culture, as well as some tantalizing images of Banksy at work.’ Washington Post ‘As insightful as it is funny. You'll be enthralled.’ People Magazine

Awards

American Cinema Editors, USA 2011 Winner of the Eddie for Best Edited Documentary Austin Film Critics Association 2010 Winner of theAFCA Award for Best Documentary Central Ohio Film Critics Association 2011 Winner of theCOFCA Award for Best Documentary Chicago Film Critics Association Awards 2010 Winner CFCA Award for Best Documentary Denver Film Critics Society 2011 Winner of the DFCS Award for Best Documentary Film Film Independent Spirit Awards 2011 Winner of the Independent Spirit Award for Best Documentary International Cinephile Society Awards 2011 - Winner of the ICS Award for Best Documentary New York Film Critics, Online 2010 Winner of the NYFCO Award for Best Documentary San Diego Film Critics Society Awards 2010 Winner of the SDFCS Award for Best Documentary Toronto Film Critics Association Awards 2010 Winner of the Allan King Documentary Award Winner of the TFCA Award Best First Feature Washington DC Area Film Critics Association Awards 2010 Winner of the WAFCA Award for Best Documentary  
It may be pitched as a low budget, dark comedy but Boppin’ at the Glue Factory, directed and co-written by Jeffrey Orgill is a little slice of comedy gold. The film stars Henry Dittman as Eric Labudde, a down and out drug addict who, through what can only be described as sheer blind luck, ends up getting a job at an old age convalescent home as the night nurse. Eric isn’t exactly what anyone would call a model employee, but he has just enough charisma and medical skill to get by in the medical world. It’s different, but that isn’t a bad thing.

Awards

Seattle True Independent Film Festival, 2009. Winner of best feature. Strasbourg International Film Festival, 2019. Winner of best supporting actor.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words. Much Ado About Nothing is a 2012 black and white American romantic comedy film adapted for the screen, produced, and directed by Joss Whedon, from William Shakespeare's play of the same name. The film premiered at the 2012 Toronto International Film to critical acclaim. The film stars Amy Acker, Alexis Denisof, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Sean Maher, and Jillian Morgese. The film’s giddy energy and intimate charm make for an entertaining romantic comedy - and a Shakespearean adaptation that's hard to resist.

Critic Reviews

'DP Jay Hunter's camera floats like a butterfly through doorways and windows, stinging as it catches characters in moments of eavesdropping-inspired stunned epiphany.' Sight and Sound 'Much Ado About Nothing is a delightfully spirited romp, filled with visual splendor, strong performances and flashes of post-modern absurdity.' USA Today 'The movie swings along, with a grace denied to some of Whedon's grander projects ...' New Yorker 'The magic holds. It holds from beginning to end.' Chicago Sun-Times 'One of my Top Ten picks of the year. Welcome to the World of Whedon where Shakespeare not only lives, but thrives.' Behind the Lens

Awards

National Board of Review, USA 2013 Winner of theNBR Award for Top Ten Independent Films

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