Critic Reviews‘Life is the collection of memories, and Campbell is losing them. But there is solace in the reality that you will not miss what you cannot recall.’ Globe and Mail ‘It's a rare, intensely personal look at Alzheimer's that will be tragically familiar to those who have lived with it and sobering and sad for those who have not.’ Toronto Star ‘Emotional and intimate.’ Toronto Sun ' This is a portrait of a star gaining luster even as his mortality becomes more evident.’ Seattle Times
AwardsEdmonton International Film Festival 2014 Winner of most outstanding biography Grammy Awards 2016 Winner of the best compilation soundtrack Nashville Film Festival 2014 Winner of the Grand Jury Prize Vancouver International Film Festival 2014 Winner of the award for most popular documentary feature film
La Vie en Rose is a 2007 French biographical musical film about the life of French singer Édith Piaf. The film was co-written and directed by Olivier Dahan, and starred Marion Cotillard as Piaf.
Cotillard's performance earned her several accolades including the Academy Award for Best Actress — marking the first time an Oscar had been given for a French-language role — the BAFTA Award for Best Actress in a Leading Role, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the César Award for Best Actress in a Leading Role for her performance. The film also won the Academy Award for Best Makeup, the BAFTA Award for Best Makeup, Costume Design, Film Music, four additional César Awards and grossed $86.3 million worldwide.
‘Despite its story of suffering that comes in unceasing waves, La Vie en Rose may be the most hopeful film yet made about the grueling rigor of living.’ Charleston City Paper
‘In La Vie En Rose,we get to witness a rare and beautiful thing - an artist baring her soul and creating a performance for the ages.’ The Dispatch
‘In La Vie en Rose, Marion Cotillard has the role of a lifetime. And she relishes it.’ Fayette Weekly
Academy Awards, USA 2008 Winner Oscar Best Performance by an Actress in a Leading Role Marion Cotillard
Best Achievement in Makeup Didier Lavergne, Jan Archibald
Golden Globes, USA 2008 Winner Golden Globe Best Performance by an Actress in a Motion Picture - Comedy or Musical
Winner Anthony Asquith Award for Film MusicChristopher Gunning
Winner BAFTA Film Award Best Leading Actress Marion Cotillard
Best Costume Design Marit Allen
Best Make Up & Hair
César Awards, France 2008 Winner César Best Actress (Meilleure actrice) Marion Cotillard
Best Cinematography (Meilleure photographie) Tetsuo Nagata
Best Production Design (Meilleurs décors) Olivier Raoux
Best Costume Design (Meilleurs costumes) Marit Allen
Best Sound (Meilleur son) Laurent Zeilig
Hollywood Film Awards 2007 Winner Hollywood Film Award Actress of the Year
Award winning The Flowers of War is a 2011 historical drama war film directed by Zhang Yimou, starring Christian Bale, Ni Ni, Zhang Xinyi, Tong Dawei, Atsuro Watabe, Shigeo Kobayashi and Cao Kefan. The beautifully shot story is set in Nanking, China, during the 1937 Nanking Massacre in the Second Sino-Japanese War. A group of escapees, finding sanctuary in a church compound, try to survive the plight and persecution brought on by the violent invasion of the city.
Pete Hammond from Boxoffice Magazine gave it 4 stars of 5, and said "The Flowers of War is ultimately an inspiring, stirring and unforgettable human drama in the face of a horrifying war. It is highly recommended.
"The Flowers of War is a big movie in every sense of the word, from its kinetic battle scenes to the beautiful photography and impressive performances from a mostly young and inexperienced cast."
'Bale is forthright and emotional in the role, and with a hint of boyish vulnerability, even reminds us of his 13-year-old self in Spielberg's Empire of the Sun.' The Guardian
'As you'd expect, it's beautiful, emotional and exciting, if florid in style. Bale, beauties and English dialogue widen Yimou's appeal.' Empire
Asian Film Awards 2012 Winner of the Asian Film Award for Best Newcomer Ni Ni
Asian Film Critics Association Awards 2012 Winner of the NETPAC Award for Best Picture, Best Director and Best New Performer
Chinese American Film Festival (C.A.F.F.) 2012 Winner of the Golden Angel Award for Outstanding Film
Chinese Film Media Awards 2012 Winner of the Audience Award for Favourite Actor - Dawei Tong and Favorite Actress - Ni Ni
Shanghai Film Critics Awards 2012 Winner of the Film of Merit
Shanghai Film Critics Award winner of Best Actress - Ni Ni
Writers Guild of China Film Association 2012 Winner of the WGC Award for Outstanding Screenplay
Critic Reviews'What makes Nichols' film so satisfying, at least until the melodrama of the final act, is the deftness of the characterisations and the constant sense that things are probably considerably more complex than they're perceived.' Sight and Sound 'An impressively sustained slow-burn parable from writer-director Jeff Nichols, shot with ominous beauty, guarding its mysteries with care.' Daily Telegraph UK 'A hallucinatory thriller anchored by a deeply resonant sense of unease.' Variety
AwardsAcademy of Science Fiction, Fantasy & Horror Films, USA 2012 Winner of the Saturn Award for Best Actor - Michael Shannon Best Writing - Jeff Nichols Austin Film Critics Association 2011 Winner of the AFCA Award for Best Actor - Michael Shannon Best Supporting Actress - Jessica Chastain Winner of the Austin Film Award - Jeff Nichols Winner of the Breakthrough Artist Award- Jessica Chastain Cannes Film Festival 2011 Winner of the Critics Week Grand Prize - Jeff Nichols Winner of the FIPRESCI Prize for Directors' Fortnight or Critics' Week - Jeff Nichols Winner of the SACD Award - Jeff Nichols New York Film Critics Circle Awards 2011 Winner NYFCC Award for Best Supporting Actress - Jessica Chastain New York Film Critics, Online 2011 Winner of the NYFCO Award for Best Actor - Michael Shannon Breakthrough Performance - Jessica Chastain Toronto Film Critics Association Awards 2011 Winner of the TFCA Award for Best Actor - Michael Shannon Best Supporting Actress - Jessica Chastain
Critic Reviews‘Fascinating, witty and heartfelt.’ Times UK ‘Moments of clarity and pragmatism are contradicted by flashes of inanity and dry, if well-delivered humour.’ Little White Lies ‘Departure's cynicism, ironically, is what makes the optimism of its last act so moving.’ London Evening Standard
AwardsAcademy Awards, USA 2009, winner of an Oscar for Best Foreign Language Film of the Year Asia Pacific Screen Awards 2009, Asia Pacific Screen Award winner of the Best Performance by an Actor Asian Film Awards 2009, winner of the Asian Film Award for Best Actor Hong Kong Film Awards 2010, winner of best asian film
In Order of Disappearance is a 2014 Norwegian black comedy action film directed by Hans Petter Moland and starring Stellan Skarsgård. The film had its premiere in the competition section of the 64th Berlin International Film Festival.
Introverted and hard-working snow plow driver Nils has just been named Citizen of The Year, when he receives news that his son has died of a heroin overdose. Disbelieving the official report, Nils soon uncovers evidence of the young man's murder--a victim in a turf war between the local crime boss, known as "The Count", and his Serbian rivals.
'A delicious Norwegian film full of icy landscapes and icier hearts.' New York Times'
'A cheeky black comedy and worthy Norwegian successor to Kill Bill.' Globe and Mail
'Moland possesses the rare ability to take a story where the viewer knows almost exactly what will happen and make it surprising.' Salon.com
'Moland's In Order of Disappearance is a dark fable played firmly for laughs... A joy to watch.' CineVue
'This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.' Arts Fuse
Fantasia Film Festival 2014 Winner Best International Film
Austin Fantastic Fest 2014 Winner of Best Actor and Winner Best Director
"My Accomplice is an enjoyable little story that bimbles along quite pleasantly and leaves one generally pleased for having watched it.” Eye for Film.
Edinburgh International Film Festival, 2014. Nominee for the best British feature film.
Critic Reviews‘Director-writer Jonathan Hayes piques our interest with incredible camera angles and the spectacular scenery.’ canada.com 'It all feels very Canadian, in good way' Globe & Mail
AwardsWorldFest Houston 2014 Winner of the Special Jury Award for Best Feature Film
Critic Reviews‘It all makes for an absorbing, mischievously amusing yarn, whose climax unfolds with unexpected emotional force.’ Washington Post ‘The tension builds incrementally, reaching almost unbearable heights at its dizzying climax.’ Sight and Sound ‘Reminds us that dreams can come true and men can fly, through the heights of the imagination and the triumph of the human spirit - this a film for all those who ever dared to dream.’ From the Front Row ‘In this exhilarating, palm-moistening documentary by British filmmaker James Marsh (Wisconsin Death Trip), the twin towers are back to celebrate one of their finest moments.’ Film.com
AwardsAcademy Awards, USA 2009 Winner of an Oscar for best documentary, Features BAFTA Awards 2009 Winner of the Alexander Korda Award for Best British Film AARP Movies for Grownups Awards 2009 Winner Movies for Grownups Award Alliance of Women Film Journalists 2008 Winner of Best Edited Documentary Austin Film Critics Association 2008 Winner of Best Documentary British Independent Film Awards 2008 Winner British Independent Film Award for Best British Documentary Film Independent Spirit Awards 2009 Winner of the Independent Spirit Award for Best Documentary International Documentary Association 2008 Winner of the IDA Award for best Feature Documentary Sundance Film Festival 2008 Winner of the Audience Award for best in World Cinema - Documentary
Critic Reviews‘Mid90s is alive to the debauchery and obnoxiousness of teenagers, but also to their warmth and loyalty.’ Times (UK) ‘Mid90s cares less about making you laugh than enveloping you in the moment, even when the moments consist of nothing more than killed time - daft small talk, the lazy throb of hip hop, the therapeutic purr and slap of skateboard wheels on concrete.’ Daily Telegraph (UK)
AwardsArt Film Festival 2019 Winner of the Blue Angel for Best Director Golden Trailer Awards 2019 Winner of the Golden Trailer for Most Innovative Advertising for a Feature Film National Board of Review, USA 2018 Winner of the NBR Award for Top Ten Independent Films
Critic Reviews'Dolan loves close-ups and he gives his actors every chance to demonstrate their talent for ringing the emotional changes in a single take.' Sydney Morning Herald 'As outrageous as it is insightful, Mommy is a mother-and-son melodrama taken to operatic heights.' Times UK 'Dolan has previously been accused of style over substance but here he draws both magnificently together. It's perhaps a little too long, but Mommy is a movie to make you feel alive.' Empire Magazine
AwardsBodil Awards 2016 Winner of a Bodil for Best Non-American Film Canadian Screen Awards, CA 2015 Winner of the Canadian Screen Award for Best Motion Picture, Achievement in Cinematography, Achievement in Direction, Achievement in Editing, Performance by an Actor in a Leading Role, Performance by an Actress in a Leading Role, Performance by an Actress in a Supporting Role, Original Screenplay, Achievement in Makeup Cannes Film Festival 2014 Winner of the Jury Prize CinEuphoria Awards 2015 Winner CinEuphoria Best Director - International Competition César Awards, France 2015 Winner of a César for Best Foreign Film Directors Guild of Canada 2015 Winner of the DGC Team Award for best Feature Film International Cinephile Society Awards 2014 Winner of the ICS Cannes Award - Palme d'Or Italian Online Movie Awards (IOMA) 2015 - Winner IOMA for best Best Picture, Best Actress, Best Supporting Actress and Best Original Screenplay
Critic Reviews'DP Jay Hunter's camera floats like a butterfly through doorways and windows, stinging as it catches characters in moments of eavesdropping-inspired stunned epiphany.' Sight and Sound 'Much Ado About Nothing is a delightfully spirited romp, filled with visual splendor, strong performances and flashes of post-modern absurdity.' USA Today 'The movie swings along, with a grace denied to some of Whedon's grander projects ...' New Yorker 'The magic holds. It holds from beginning to end.' Chicago Sun-Times 'One of my Top Ten picks of the year. Welcome to the World of Whedon where Shakespeare not only lives, but thrives.' Behind the Lens
AwardsNational Board of Review, USA 2013 Winner of theNBR Award for Top Ten Independent Films
Critic Reviews‘Emily Watson, who always brings a special grace to the screen, gives a multilayered performance to the role of Margaret Humphreys, who not only puts her own family dynamic at risk but finds herself physically threatened.’ San Fransisco Chronicle ‘Emily Watson, a delicate English rose, has never seemed more sturdy than here.’ Chicago Sun Times ‘As the story ricochets between Britain and Australia, the film often loses track of time and becomes fragmented as it struggles to integrate too many subplots. What holds it together is Ms. Watson's calm, sturdy performance.’ New York Times ‘Despite the difficulties the team faced when filming on opposite sides of the world, Oranges and Sunshine beats with one heart and develops its story coherently.’ CineVue 'Jim Loach's feature debut presents the horrific injustice of forced child migration in a calm, measured manner.’ The Sun-Herald
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards 2012 Winner AACTA Award Best Supporting Actor Hugo Weaving Australian Film Critics Association Awards 2012 Winner AFCA Award - Best Actress Emily Watson Australian Screen Editors 2011 Winner ASE Award Avid Award for Best Editing on a Feature Film Australian Screen Sound Guild 2011 Winner ASSG Award Best Achievement in Mixing in a Feature Film
Critic Reviews‘The Florida Project absolutely sings as a visual achievement, and not only as that.’ Daily Telegraph (UK) ‘The Florida Project is one of the best films about childhood made anywhere in recent years.’ Independent (UK)
AwardsAFI Awards, USA 2018 Winner AFI Award - Movie of the Year Alliance of Women Film Journalists 2018 Winner EDA Award for Best Supporting Actor - Willem Dafoe and Winner of the EDA Female Focus Award - Best Breakthrough Performance Austin Film Critics Association 2018 Winner of the AFCA Award for Best Supporting Actor Bodil Awards 2019 Winner of the Bodil for Best American Film CinEuphoria Awards 2019 Winner CinEuphoria for Top Ten of the Year - International Competition Detroit Film Critics Society Awards 2017 Winner of the DFCS Award for Best Film, Best Director and Best Supporting Actor New York Film Critics, Online 2017 Winner of the NYFCO Award for Best Film San Francisco Film Critics Circle 2017 Winner of the SFFCC Award for Best Picture
Critic Reviews“This is Ours, the self-assured second feature from writing/producing/directing team Kris and Lindy Boustedt, made its world premiere at Dances with Films in Hollywood. It’s a beautifully shot and emotionally charged foray into the world of a once-happy couple whose lives and relationship verge on disintegration.” Living in Cinema.
Critic Reviews'Nair has found a real gem in Riz Ahmed, who anchors the film with a charismatically watchable performance. He's in virtually every frame and you hang on his every word.' Toronto Star 'A film like this stands or falls on the performance of its lead, and the young British actor Riz Ahmed doesn't disappoint.' Washington Examiner 'I found several of the story's twists both startling and, in retrospect, totally believable.' The American Conservatist 'Nair lets her drama unfold thoughtfully and draws impressive supporting performances from Kiefer Sutherland, as Changez's Wall Street boss, and Liev Schreiber.' The Mail on Sunday (UK)
AwardsCAAMFest 2013 Winner of the Audience Award for Best Narrative - Mira Nair Mill Valley Film Festival 2012 Winner of the Audience Award for Favourite World Feature - Mira Nair Munich Film Festival 2013 Winner of the Bernhard Wicki Film Award for Best Film - Mira Nair (director)
Critic Reviews'Made with taste, skill and discretion, "The Daughter" demonstrates both the staying power of classic material and the risks inherent in bringing it up to date.' Los Angeles Times 'In his atmospheric debut film, Australian theater director Simon Stone whittles down The Wild Duck into a cautionary tale about welcoming home an emotional exile.' Village Voice 'Subtle and skilled, this simmers for long periods until its highly satisfying finale.' Total Film 'Beautiful and powerful, The Daughter occasionally veers towards the melodramatic - but who cares when every element is this good?' One Room With a View
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards 2016 Winner of the AACTA Award for Best Lead Actress, Best Supporting Actress, and Best Adapted Screenplay Australian Cinematographers Society 2017 Winner of the Award of Distinction - Feature Productions Cinema Film Critics Circle of Australia Awards 2017 Winner of the FCCA Award for Best Actress, Best Actress in a Supporting Role, and Best Actor in a Supporting Role
Critic Reviews“Nothing in Los Angeles was one of the most entertaining and satisfying films I saw all year.” Cinequest.
AwardsHollywood Reel Independent Film Festival, 2014. Winner of the Best Filmed Screenplay, Best Actor and best Supporting Actress. Los Angeles Movie Awards, 2014. Winner of best narrative feature. Route 66 Film Festival, 2014. Winner of the people’s choice competition. Studio City Film Festival, 2014. Winner of best comedy feature and winner of best screenplay - feature.
Sami Blood is a 2016 Swedish coming-of-age drama film written and directed by Amanda Kernell, as her feature film debut. The first 10 minutes of the film (and part of the end) comes directly from the short film Stoerre Vaerie. Stoerre Vaerie is Kernell's first film with Sami themes and it was nominated for the Short Film Grand Jury Prize at the Sundance Film Festival, Park City, Utah, USA.
The film premiered at the 73rd edition of the Venice Film Festival in the Venice Days section, in which it was awarded the Europa Cinemas Label Award and the Fedeora Award for Best Debut Director. It won the 2017 Lux Prize and was nominated for the 2017 Nordic Council Film Prize.
‘An eloquent coming-of-age drama set in 1930s Sweden that revolves around a spellbinding performance by young Lene Cecilia Sparrok.’ Los Angeles Times
'"Sami Blood" is a beautiful, haunting film, anchored by a startlingly accomplished lead performance. It has the feeling of a distant memory - one that is neither entirely pleasant nor painful, but persistent.’ Washington Post
‘Swedish helmer Amanda Kernell makes a stirring debut with a coming-of-age tale that pointedly addresses a bygone era of Scandi colonialism.’ Variety
BZN International Film Festival 2018 Winner of the Audience Award - Narrative Feature
Fargo Film Festival 2018 Winner Best Narrative Feature
Guldbagge Awards 2018 Winner of the Audience Award Winner Guldbagge for Best Actress Winner of Best Screenplay
Göteborg Film Festival 2017 Winner Dragon Award for Best Nordic Film
Kosmorama, Trondheim Internasjonale Filmfestival 2017 Winner of the Audience Award
Luxembourg City Film Festival 2017 Winner of the Youth Jury Award
Newport Beach Film Festival 2017 Winner of the Audience Award for best Foreign Feature
Riviera International Film Festival 2017 Winner Jury Prize for Best Director
Venice Film Festival 2016 Winner of the Fedeora Award for Best Director of a Debut Film (Venice Days)
Saints and Soldiers is a 2003 war drama film directed by Ryan Little and produced by Little and Adam Abel. It is loosely based on events that took place after the Malmedy massacre during the Battle of the Bulge. The film stars Corbin Allred, Alexander Niver, Lawrence Bagby, and Peter Asle Holden as the four American soldiers trying to return Kirby Heyborne, a British soldier with vital intelligence, to the Allied lines.
The Washington Times called the film, "one of the sharpest and most compelling entries of the early 'Mormon cinema' era". The New York Times wrote that the film's, "impressive cast of largely unknown actors and meticulously researched film tells its story with quiet conviction."
'It has the strengths and the clean lines of a traditional war movie, without high-tech special effects to pump up the noise level.' Chicago Sun Times
'Thoughtful, engaging World War II movie has battle violence.' Common Sense Media
Gloria Film Festival 2003 Winner of the Audience Award and Winner of the Jury Award
Heartland International Film Festival 2003 Winner of the Crystal Heart Award and Winner of the Grand Prize for Dramatic Feature
Ojai Film Festival 2003 Winner of the Best Narrative Feature
Sacramento Festival of Cinema 2003 Winner of the Audience Award
San Diego Film Festival 2003 Winner of the Audience Award
Temecula Valley International Film Festival 2003 Winner of the Viewer's Choice Award for Best Feature Film