Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

Eden uses 1990s club culture as the appropriately intoxicating backdrop for a sensitive, low-key look at aging and the price of pursuing one's dreams.

Eden is a 2014 French drama film directed by Mia Hansen-Løve and co-written with Sven Hansen-Løve. The film stars Félix de Givry and Pauline Etienne. The film premiered in the Special Presentations section of the 2014 Toronto International Film Festival. It was also screened in the 52nd edition of the New York Film Festival and the BFI London Film Festival.

The film is an affecting trip into the electronic dance movement in Paris whose rhythms echo its textures and feeling. Based on the experiences of Hansen-Løve's brother Sven, the film follows Paul, a teenager in the underground scene of early-nineties Paris. Rave parties dominate that culture, but he's drawn to the more soulful rhythms of Chicago's garage house. He forms a DJ collective named Cheers, and together he and his friends plunge into the ephemeral nightlife of sex, drugs, and endless music.

Critic Reviews

'Rambling, talky and luxuriantly wistful, the film gives a perceptive survey of the self-importance and decadence of a youth movement.' Times UK

'A remarkable film which drums to its own beat.' Little White Lies

'Partly the story of a music scene, but mostly the story of a man who realises that living the dream isn't always the best thing for your life. Vivid, immersive and blessed with a perfectly nostalgic soundtrack.' Empire Magazine

'Eden, in its loose and free-form way, is as personal a statement as this 34-year-old director has yet made: it's telling that Paul is that age by the end of it.' Daily Telegraph UK

'Absorbing and very moving.' The Guardian

La Vie En Rose
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.

La Vie en Rose is a 2007 French biographical musical film about the life of French singer Édith Piaf. The film was co-written and directed by Olivier Dahan, and starred Marion Cotillard as Piaf.

Cotillard's performance earned her several accolades including the Academy Award for Best Actress — marking the first time an Oscar had been given for a French-language role — the BAFTA Award for Best Actress in a Leading Role, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the César Award for Best Actress in a Leading Role for her performance. The film also won the Academy Award for Best Makeup, the BAFTA Award for Best Makeup, Costume Design, Film Music, four additional César Awards and grossed $86.3 million worldwide.


Critic Reviews

‘Despite its story of suffering that comes in unceasing waves, La Vie en Rose may be the most hopeful film yet made about the grueling rigor of living.’ Charleston City Paper

‘In La Vie En Rose,we get to witness a rare and beautiful thing - an artist baring her soul and creating a performance for the ages.’ The Dispatch

‘In La Vie en Rose, Marion Cotillard has the role of a lifetime. And she relishes it.’ Fayette Weekly

Awards

Academy Awards, USA 2008 Winner Oscar Best Performance by an Actress in a Leading Role Marion Cotillard

Best Achievement in Makeup Didier Lavergne, Jan Archibald

Golden Globes, USA 2008 Winner Golden Globe Best Performance by an Actress in a Motion Picture - Comedy or Musical

Winner Anthony Asquith Award for Film MusicChristopher Gunning

Winner BAFTA Film Award Best Leading Actress Marion Cotillard

Best Costume Design Marit Allen

Best Make Up & Hair

César Awards, France 2008 Winner César Best Actress (Meilleure actrice) Marion Cotillard

Best Cinematography (Meilleure photographie) Tetsuo Nagata

Best Production Design (Meilleurs décors) Olivier Raoux

Best Costume Design (Meilleurs costumes) Marit Allen

Best Sound (Meilleur son) Laurent Zeilig

Hollywood Film Awards 2007 Winner Hollywood Film Award Actress of the Year

Departures
A newly unemployed cellist takes a job preparing the dead for funerals. Director Yojiro Takita and writer Kundo Koyama examine the rituals surrounding death in Japan with this tale of an out-of-work cellist who accepts a job as a "Nokanashi" or "encoffineer" (the Japanese equivalent of an undertaker) in order to provide for himself and his young wife. Winner of an Oscar for Best Foreign Language Film of the Year, Departures is a 2008 Japanese drama film directed by Yōjirō Takita and starring Masahiro Motoki, Ryōko Hirosue, and Tsutomu Yamazaki. The film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nōkanshi—a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death.

Critic Reviews

‘Fascinating, witty and heartfelt.’ Times UK ‘Moments of clarity and pragmatism are contradicted by flashes of inanity and dry, if well-delivered humour.’ Little White Lies ‘Departure's cynicism, ironically, is what makes the optimism of its last act so moving.’ London Evening Standard

Awards

Academy Awards, USA 2009, winner of an Oscar for Best Foreign Language Film of the Year Asia Pacific Screen Awards 2009, Asia Pacific Screen Award winner of the Best Performance by an Actor Asian Film Awards 2009, winner of the Asian Film Award for Best Actor Hong Kong Film Awards 2010, winner of best asian film
Whitney is a 2018 documentary film about the American singer and actress Whitney Houston. The film was directed by Kevin Macdonald and produced by Simon Chinn, Jonathan Chinn and Lisa Erspamer. Whitney was screened out of competition at the world premiere as part of the 2018 Cannes Film Festival on 16 May 2018 with a cinema release on 6 July 2018. Terri White for Empire gave it 4/5, calling it: "A sobering, haunting but completely fresh look at Whitney's life and death that will reframe everything you think you know about the singer." Owen Gleiberman of Variety wrote: "In Whitney, Macdonald lays out Houston's story—the light and the darkness—in a classically etched, kinetically edited way. He makes superb use of archival footage, tickles us with montages of her heyday (not just Houston but the whole era—the way her songs, in hindsight, tapped into a certain free-floating ’80s jubilance), and interviews her family members and associates. The film captures the quality that made Whitney Houston magical, but more than that it puts together the warring sides of her soul."

Critic Reviews

‘Macdonald makes artful use of jarring, subversive cuts to highlight the contradictions in Houston's career.’ New Yorker ‘Kevin Macdonald's "Whitney" is a documentary chronicle of Whitney Houston's life; it's tough-minded, unsparing and far superior to the biopic and the nonfiction film that preceded it.’ Wall Street Journal ‘Kevin Macdonald's electrifying and empathetic doc on Whitney Houston drops a shocking revelation about abuse- but if his look at how she fell apart shortchanges the range of her talent it is anything but sensationalistic,’ Rolling Stone

Awards

Edinburgh International Film Festival 2018 Winner of Best Documentary Feature Film
‘There And No Innocent Bystanders’, a new film chronicling The Libertines’ past, present and future. The film gives an intimate insight into a band (The Libertines) reforming. The film captures the spirit of the band: stories and moments retold and relived by the band themselves. Profiling each band member individually and collectively -- something which has never been done before -- the film gives each of the boys the chance to put their story in their way.

Critic Reviews

“The film is a fair slice of nostalgia about one of the most influential bands to ever come from Britain. And though you might distance yourself from the lingering indie fall out that haunts the streets of Camden in 2014, any British music fan who owned a guitar during the last ten years would be lying if they said Up The Bracket didn't feel godly at some point during their formative years.” Vice

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