Art of the Prank
Art of the Prank is an emotional and humorous journey following the evolution of Joey Skaggs, Godfather of the media hoax, as he tries to pull off the most challenging prank of his career. This is interwoven with amazing archive footage of his earlier escapades-all reported as fact by prestigious journalists. The resulting twists and turns provide unprecedented insight into Joey's work as an artist, activist and social satirist. Award-winning documentary about New York artist Joey Skaggs, the godfather of the media hoax, as he tries to pull off the most challenging prank of his career.
AwardsLower East Side Film Festival 2016, winner of best of fest San Francisco Docfest 2016, winner of the Jury Prize Slamdance Film Festival 2016, winner of best documentary feature The Alhambra Theatre Film Festival 2016, winner of best documentary
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Critic Reviews‘At a time when pressured media budgets are conspiring, with the general preference for escapism over reality, to threaten war reporting's very existence, A Private War unflinchingly reminds us of its value.’ London Evening Standard ‘Transfixing, uncompromisingly visceral and tonally raw, Heineman's A Private War is a powerfully traumatic memoir.’ Flavourmag It's one of the year's best roles, performances, and it's contained in a film that undoubtedly matters. Now, more than ever.’ Creative Screenwriting
AwardsGolden Globes, USA 2019 Nominee Golden Globe for Best Original Song - Motion Picture - Annie Lennox Best Performance by an Actress in a Motion Picture - Drama - Rosamund Pike
Critic Reviews‘This tender, detail-filled movie lives for the moment.’ New York Times ‘Welsh has delivered a compelling snapshot of an era and captured a moment in life when friendship is at its most sustaining.’ Sydney Morning Herald ‘The script, adapted by Welsh and Kieran Hurley from Hurley's play, is especially good on the preciousness and subjectivity of cultural experience.’ Times UK ‘Funny, as well as emotionally rewarding.’ London Evening Standard
AwardsBAFTA Awards, Scotland 2019 Winner of the BAFTA Scotland Award for Best Actor - Film Lorn Macdonald British Independent Film Awards 2019 Winner of the British Independent Film Award for Best Cinematography - Benjamin Kracun and winner for Best Sound Film by the Sea International Film Festival 2019 Winner of the International Student Jury Award - International Student Jury for Brian Welsh (director) Hamilton Behind The Camera Awards 2019 Winner of the Behind the Camera Award - Torino Film Festival 2019 for Brian Welsh (director)
Daphne is a 2017 British drama film directed by Peter Mackie Burns and written by Nico Mensinga. The film stars Emily Beecham, Geraldine James, Nathaniel Martello-White, Osy Ikhile, Sinead Matthews and Stuart McQuarrie.
The film premiered at the International Film Festival Rotterdam on 29 January 2017 and garnered positive reviews. "Led by Emily Beecham's note-perfect performance, Daphne is a vivid portrait of a woman in flux - and an auspicious narrative debut for director Peter Mackie Burns"
‘The film finally adds up to more than the sum of its well-wrought parts, offering a quietly profound insight into this young woman's attempt to navigate a world that is both familiar and brutally alien.’ Sight and Sound
‘It's one of the best films about London living I can recently recall.’ Daily Telegraph (UK)
‘Mackie Burns handles the tale like a seasoned pro, and Beecham is terrifically watchable throughout.’ The Herald (Scotland)
Dinard British Film Festival 2017 Winner of Best Screenplay - Peter Mackie Burns (director) and The Bureau (production company)
Edinburgh International Film Festival 2017 Winner of Best Performance in a British Feature Film Best Performance - Emily Beecham and Anne Reid
Torino Film Festival 2017 Winner of the Prize of the City of Torino for Best Actress - Emily Beecham
Critic Reviews‘Although it's a fascinating subject, the director doesn't bring much rigour or insight to the complexity of the case.’ Globe and Mail ‘Narrated by Keanu Reeves, it plunges into the tangled web of secrecy, accusations and criminal activity - with implications for the future of technological freedom.’ Toronto Star ‘This intriguing documentary about alleged Silk Road website founder Ross Ulbricht may lack balance, but compels interest nonetheless.’ Variety
AwardsAnthem Film Festival, Las Vegas 2016, winner of the audience choice award
Critic Reviews‘Jam-packed but never disorienting, Cool It will definitely get your head spinning.’ Globe and Mail ‘Blond, boyish and with an irrepressible faith in human adaptability, Mr. Lomborg is the anti-Gore.’ New York Times ‘By bringing in a diverse group of big thinkers to take part in a very animated, sometimes agitated, discussion, the filmmaker has succeeded in bringing what could have been a very dry mountain of data, theories and experimental research to vibrant life.’ Los Angeles Times
Critic Reviews‘Don't watch this film and expect an authoritative critical analysis of the film; watch it and explore the distorting, drug-like pull that some art can exert on its audience.’ Times (UK)
AwardsAustin Fantastic Fest Winner Jury Prize for Best Film & Best Director International Documentary Association Winner Creative Recognition Award for Best Editing
Lost in La Mancha is a 2002 documentary film about the making of Terry Gilliam's first attempt at The Man Who Killed Don Quixote. His effort was a film adaptation of the novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during Gilliam's first attempt to make the film, as an intended work of the genre known as the "making-of". But Gilliam's failure to complete his movie resulted in the documentary filmmakers retitling their work as Lost in la Mancha and releasing it independently.
Critic Leonard Maltin has described Lost in La Mancha as one of the best films about the process of moviemaking. It was nominated for various awards, including a BAFTA Award and a Satellite Award for Best Documentary Film. It won a Satellite Award for Best Documentary.
'Anyone who thinks making movies is easy needs to see this hilariously painful cautionary tale. It's a tribute to Gilliam that he never once took off his mike or asked the filmmakers to stop rolling.' Newsweek
'Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.' Globe and Mail
'A fascinating chronicle of bad luck, bad faith and bad weather all striking on the same day.' Washington Post
Evening Standard British Film Awards 2003 Winner Peter Sellers Award for Comedy Keith Fulton
Satellite Awards 2004 Winner Golden Satellite Award Best Documentary DVD