A documentary that takes an alternative approach to dealing with the global warming crisis. Cool It is a 2010 documentary film based on the book Cool It: The Skeptical Environmentalist's Guide to Global Warming by Danish political scientist Bjørn Lomborg. The film stars Lomborg, best known for authoring The Skeptical Environmentalist. It premiered in September in Canada at the 2010 Toronto International Film Festival. ‘By bringing in a diverse group of big thinkers to take part in a very animated, sometimes agitated, discussion, the filmmaker has succeeded in bringing what could have been a very dry mountain of data, theories and experimental research to vibrant life.’ Los Angeles Times
Critic Reviews‘Jam-packed but never disorienting, Cool It will definitely get your head spinning.’ Globe and Mail ‘Blond, boyish and with an irrepressible faith in human adaptability, Mr. Lomborg is the anti-Gore.’ New York Times ‘By bringing in a diverse group of big thinkers to take part in a very animated, sometimes agitated, discussion, the filmmaker has succeeded in bringing what could have been a very dry mountain of data, theories and experimental research to vibrant life.’ Los Angeles Times
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Critic Reviews‘Although it's a fascinating subject, the director doesn't bring much rigour or insight to the complexity of the case.’ Globe and Mail ‘Narrated by Keanu Reeves, it plunges into the tangled web of secrecy, accusations and criminal activity - with implications for the future of technological freedom.’ Toronto Star ‘This intriguing documentary about alleged Silk Road website founder Ross Ulbricht may lack balance, but compels interest nonetheless.’ Variety
AwardsAnthem Film Festival, Las Vegas 2016, winner of the audience choice award
Critic Reviews‘Don't watch this film and expect an authoritative critical analysis of the film; watch it and explore the distorting, drug-like pull that some art can exert on its audience.’ Times (UK)
AwardsAustin Fantastic Fest Winner Jury Prize for Best Film & Best Director International Documentary Association Winner Creative Recognition Award for Best Editing
Winner of three prime-time Emmy’s, Mea Maxima Culpa: Silence in the House of God is a 2012 documentary film directed by Oscar winning Alex Gibney. The film details the first known protest against clerical sex abuse in the United States by four deaf men.
Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men, who in the first known case of public protest, set out to expose the priest who abused them. Through their case the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican.
‘A kind of unintentional leaving gift for the outgoing Pope Benedict, though it is not one he is likely to relish.’ Guardian
‘The case has been widely reported but this is still an important film, laying out who knew what, and when. It's chilling: the conspiracy of silence goes all the way to the Vatican.’ Time Out
‘In the end, decades of such crimes going undetected and undeterred under the aegis of one employer - any employer - speaks for itself. And the extraordinary perseverance and courage of the men from St. John's speaks louder still.’ New York Post
‘There is something to be said for a clear and unblinking recitation of facts, and thankfully Mr. Gibney does a lot of that.’ New York Times
Primetime Emmy Awards 2013, Exceptional Merit in Documentary Filmmaking, Outstanding Picture Editing for Nonfiction Programming, Outstanding Writing for Nonfiction Programming.
Irish Film and Television Awards 2013, winner of Best Feature Documentary
London Film Festival 2012, winner of the Grierson Award
The Television Academy Honors 2014, winner of the Television Academy Honors
Lost in La Mancha is a 2002 documentary film about the making of Terry Gilliam's first attempt at The Man Who Killed Don Quixote. His effort was a film adaptation of the novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during Gilliam's first attempt to make the film, as an intended work of the genre known as the "making-of". But Gilliam's failure to complete his movie resulted in the documentary filmmakers retitling their work as Lost in la Mancha and releasing it independently.
Critic Leonard Maltin has described Lost in La Mancha as one of the best films about the process of moviemaking. It was nominated for various awards, including a BAFTA Award and a Satellite Award for Best Documentary Film. It won a Satellite Award for Best Documentary.
'Anyone who thinks making movies is easy needs to see this hilariously painful cautionary tale. It's a tribute to Gilliam that he never once took off his mike or asked the filmmakers to stop rolling.' Newsweek
'Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.' Globe and Mail
'A fascinating chronicle of bad luck, bad faith and bad weather all striking on the same day.' Washington Post
Evening Standard British Film Awards 2003 Winner Peter Sellers Award for Comedy Keith Fulton
Satellite Awards 2004 Winner Golden Satellite Award Best Documentary DVD