An unnerving story about a horrid family drama kept behind closed doors, and an elaborate facade where appearances can be deceiving, and nothing is as it seems. Miss Violence is a 2013 Greek film directed by Alexandros Avranas. It entered the competition at the 70th Venice International Film Festival. Avranas won the Silver Lion for Best Director and actor Themis Panou won the Volpi Cup for Best Actor. The latest in the remarkable wave of iconoclastic new Greek cinema that yielded Dogtooth and Attenberg, the film unfolds with a skin-crawling sense of deadpan detachment before it explodes in shattering tragedy.
Critic Reviews'Ever since Yorgos Lanthimos' Dogtooth wowed audiences back in 2009, Greek cinema has become the new Michael Haneke.' StarBurst 'Miss Violence is a grim tale of family dysfunction that also stands as an allegory about moral and economic decline in Greek society.' Independent UK 'From the not-so-happy birthday that opens the film ... up to the harrowing final revelation, Miss Violence fulfils the grisly promise of its title.' TimeOut
AwardsHellenic Film Academy Awards 2014 Winner of the Hellenic Film Academy Award for Best Actor and Best Supporting Actress Los Angeles Greek Film Festival (LAGFF) 2014 Winner of the Orpheus Award for Best Feature Film Montréal Festival of New Cinema 2013 Winner of the Innovation Award - International Competition Stockholm Film Festival 2013 Winner of the Aluminum Horse for Best Script Venice Film Festival 2013 Winner Best Euro-Mediterranean Film Winner of the Silver Lion for Best Director Winner of the Volpi Cup for Best Actor Winner of the Young Cinema Award for Best Film in Competition
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Beast is a 2017 British psychological thriller film written and directed by Michael Pearce, starring Jessie Buckley, Johnny Flynn, and Geraldine James.
The film had its world premiere in the Platform section at the 2017 Toronto International Film Festival. The film has received a positive critical response."Beast plays like bleak poetry, unfurling its psychological thrills while guided by its captivating leads and mesmerizing, visceral visuals."
For The Canadian Press, David Friend called it "a twisty story about the monster that lies within all of us, and struggle to keep it contained.” Peter Howell of the Toronto Star said it was "a jagged but memorable feature... that slowly yields its truths."
‘The leads deliver affecting, nuanced performances, which gives heft to the psychological insights.’ Chicago Reader
‘Immaculately composed yet skittish, edgy and surprising, this impressive debut by writer-director Michael Pearce emanates a chill that will have you hugging your sides.’ Time Out
BAFTA Awards 2019 Winner of the BAFTA Film Award for Outstanding Debut by a British Writer, Director, or Producer - Michael Pearce and Lauren Dark
Winner of the British Independent Film Award for Most Promising Newcomer - Jessie Buckley
International Film Festival & Awards Macao 2017 Winner of Best Actress - Jessie Buckley
London Critics Circle Film Awards 2019 Winner of the ALFS Award for British/Irish Actress of the Year - Jessie Buckley and Breakthrough British/Irish Filmmaker of the Year
Critic Reviews‘For its exuberance and its difference, its fine performances and its devastating finale, Dogville is essential viewing.’ London Evening Standard ‘Bold stylistic decisions reinforce the themes of the narrative, while a strong story and convincing performances prove equal to the task of carrying such an extended running time.’ Empire Magazine ‘Thought provoking with its dense and intense themes, Dogville highlights the best and the worst in us all; the emotions it agitates are hard to shake.’ Urban Cinefile ‘These elements come together to form a movie that is clinically ironic but also unique, inspired, and quite sublime.’ Paste Magazine
AwardsCannes Film Festival 2003 Winner Palm Dog Bodil Awards 2004 Winner Best Film (Bedste danske film) Lars von Trier Cinema Brazil Grand Prize 2005 Winner - Cinema Brazil Grand Prize Best Foreign Film (Melhor Filme Estrangeiro) Danish Film Awards (Robert) 2004 Winner Robert Best Screenplay (Årets manuskript) Lars von Trier Best Costume Design (Årets kostumer) Manon Rasmussen
Critic Reviews'A film that moves relentlessly forward, carrying you along so completely that it's only afterwards, if at all, that you begin to wonder about origins and plausibilities.' London Evening Standard 'One for fans of Taxi Driver and TV's Dexter, Drive is a film whose considerable style at first obscures just how much it'll get under your skin and stay there for weeks to come' Film 4 'Calculating. Methodical. High gloss. Slick. Polished. Drive is the neo-noir thriller of the year.' Behind the Lens
AwardsAustin Film Critics Association 2011 Winner of theAFCA Award for Best Director - Nicolas Winding Refn Best Supporting Actor - Albert Brooks Best Adapted Screenplay - Hossein Amini Awards Circuit Community Awards 2011 Winner of theACCA for Best Director - Nicolas Winding Refn Best Achievement in Film Editing - Matthew Newman Boston Society of Film Critics Awards 2011 Winner of the BSFC Award for Best Supporting Actor - Albert Brooks Best Use of Music in a Film - Cliff Martinez (Tied with Ludovic Bource for The Artist (2011) Cannes Film Festival 2011 Winner of Best Director - Nicolas Winding Refn
Eden uses 1990s club culture as the appropriately intoxicating backdrop for a sensitive, low-key look at aging and the price of pursuing one's dreams.
Eden is a 2014 French drama film directed by Mia Hansen-Løve and co-written with Sven Hansen-Løve. The film stars Félix de Givry and Pauline Etienne. The film premiered in the Special Presentations section of the 2014 Toronto International Film Festival. It was also screened in the 52nd edition of the New York Film Festival and the BFI London Film Festival.
The film is an affecting trip into the electronic dance movement in Paris whose rhythms echo its textures and feeling. Based on the experiences of Hansen-Løve's brother Sven, the film follows Paul, a teenager in the underground scene of early-nineties Paris. Rave parties dominate that culture, but he's drawn to the more soulful rhythms of Chicago's garage house. He forms a DJ collective named Cheers, and together he and his friends plunge into the ephemeral nightlife of sex, drugs, and endless music.
'Rambling, talky and luxuriantly wistful, the film gives a perceptive survey of the self-importance and decadence of a youth movement.' Times UK
'A remarkable film which drums to its own beat.' Little White Lies
'Partly the story of a music scene, but mostly the story of a man who realises that living the dream isn't always the best thing for your life. Vivid, immersive and blessed with a perfectly nostalgic soundtrack.' Empire Magazine
'Eden, in its loose and free-form way, is as personal a statement as this 34-year-old director has yet made: it's telling that Paul is that age by the end of it.' Daily Telegraph UK
'Absorbing and very moving.' The Guardian