In LA filmmaker Rodney Ascher's Room 237, we hear from people who have developed far-reaching theories and believe they have decoded the hidden symbols and messages buried in the late director's film. Carefully examining The Shining inside out, and forwards and backwards, Room 237 is equal parts captivating, provocative and pure pleasure. Room 237 is an American documentary film directed by Rodney Ascher about interpretations of Stanley Kubrick's film The Shining. This award winning film includes footage from The Shining and other Kubrick films, along with discussions by Kubrick enthusiasts. Manohla Dargis of The New York Times praised the film as "an ode to movie love at its most deliriously unfettered" and wrote "The doc positions The Shining as a comparably coiled, thematically overflowing microcosm - standing in for cinema, for history, for obsession, for postmodern theory buckling under the film's heft." Peter Travers of Rolling Stone, who rated the movie 3.5 stars out of 4 and called the "unique and unforgettable film" a "tribute to movie love"
Critic Reviews‘Don't watch this film and expect an authoritative critical analysis of the film; watch it and explore the distorting, drug-like pull that some art can exert on its audience.’ Times (UK)
AwardsAustin Fantastic Fest Winner Jury Prize for Best Film & Best Director International Documentary Association Winner Creative Recognition Award for Best Editing
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Critic Reviews‘A sad, involving story.’ The Guardian ‘Martin has bestowed cinematic order on mayhem-fuelled lives.’ Little White Lies ‘All This Mayhem captivates not only in its energetic style of storytelling, but also thanks to the charisma that exudes from the mouth of Tas as he honesty tells his side of this doomed Shakespearean tale.’ CineVue ‘Candid and clear-eyed, this doc will wow boarding fans but has something to offer to the unconverted too.’ Empire Magazine
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards, winner of the best direction in a documentary, best editing in a documentary, best original music score in a documentary.
AwardsLower East Side Film Festival 2016, winner of best of fest San Francisco Docfest 2016, winner of the Jury Prize Slamdance Film Festival 2016, winner of best documentary feature The Alhambra Theatre Film Festival 2016, winner of best documentary
Critic Reviews‘Although it's a fascinating subject, the director doesn't bring much rigour or insight to the complexity of the case.’ Globe and Mail ‘Narrated by Keanu Reeves, it plunges into the tangled web of secrecy, accusations and criminal activity - with implications for the future of technological freedom.’ Toronto Star ‘This intriguing documentary about alleged Silk Road website founder Ross Ulbricht may lack balance, but compels interest nonetheless.’ Variety
AwardsAnthem Film Festival, Las Vegas 2016, winner of the audience choice award
Lost in La Mancha is a 2002 documentary film about the making of Terry Gilliam's first attempt at The Man Who Killed Don Quixote. His effort was a film adaptation of the novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during Gilliam's first attempt to make the film, as an intended work of the genre known as the "making-of". But Gilliam's failure to complete his movie resulted in the documentary filmmakers retitling their work as Lost in la Mancha and releasing it independently.
Critic Leonard Maltin has described Lost in La Mancha as one of the best films about the process of moviemaking. It was nominated for various awards, including a BAFTA Award and a Satellite Award for Best Documentary Film. It won a Satellite Award for Best Documentary.
'Anyone who thinks making movies is easy needs to see this hilariously painful cautionary tale. It's a tribute to Gilliam that he never once took off his mike or asked the filmmakers to stop rolling.' Newsweek
'Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.' Globe and Mail
'A fascinating chronicle of bad luck, bad faith and bad weather all striking on the same day.' Washington Post
Evening Standard British Film Awards 2003 Winner Peter Sellers Award for Comedy Keith Fulton
Satellite Awards 2004 Winner Golden Satellite Award Best Documentary DVD