Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead, until now.
‘20 Feet from Stardom, this year's Oscar-winner for Best Documentary, is both rousing, upbeat fare… and a film steeped in a strange sense of yearning and regret.’Independent (UK)
‘Such a great idea for a documentary, and such a surprise to realise that it has never been done before.’ Guardian
‘The parade of incredible women, the stream of songs you won't believe they sang on, and those irresistible voices belting out keep the rhythm going through the schmaltz, even if the conductor seems to have dropped his hymn book.’ CineVue
Academy Awards, USA 2014 Winner of the Oscar for Best Documentary, Features.
Australian Film Critics Association Awards 2018 Winner of the AFCA Award for Best International Film (English Language)
American Cinema Editors, USA 2014 Winner of the Eddie for Best Edited Documentary - Feature.
Amsterdam International Documentary Film Festival 2013 Winner of the Music Documentary Audience Award for Morgan Neville.
Critic Reviews'The underside of the American Dream is on display in A Most Violent Year, a drama about an immigrant trying to make his way to the top.' Toronto Sun 'Bradford Young's cinematography is awesome, transforming bleak wastelands and mansions into visions of light. It's as if we're seeing everything through the eyes of Morales, to whom America is beauty incarnate.' London Evening Standard 'Simmering with drama, A Most Violent Year is one of the best films yet from Isaac or Chandor, and that's saying something' One Room with a View
AwardsBroadcast Film Critics Association Awards 2015 Winner Critics' Choice MVP Award Jessica Chastain CINE Golden Eagle Film and Video Competition 2015 Winner Golden Eagle Narrative Content: Feature - Live Action A24 CinEuphoria Awards 2016 Winner CinEuphoria Top Ten of the Year - Audience Award IGN Summer Movie Awards 2014 Winner IGN Award Best Movie Supporting Actress Jessica Chastain
Critic Reviews‘Midnight Express' meets 'Ong-Bak,' and that's a good thing.’ Hollywood Reporter ‘Once the audience adjusts to its rhythms, it exerts a powerful fascination.’ New York Magazine ‘Presented with an agitated camera and a bare minimum of subtitles, "A Prayer Before Dawn" adheres to neither the familiar beats of the boxing movie nor the claustrophobic machinations of the typical prison drama.’ New York Times
AwardsBritish Independent Film Awards 2018 Winner British Independent Film Award for Best Actor
Critic Reviews‘At a time when pressured media budgets are conspiring, with the general preference for escapism over reality, to threaten war reporting's very existence, A Private War unflinchingly reminds us of its value.’ London Evening Standard ‘Transfixing, uncompromisingly visceral and tonally raw, Heineman's A Private War is a powerfully traumatic memoir.’ Flavourmag It's one of the year's best roles, performances, and it's contained in a film that undoubtedly matters. Now, more than ever.’ Creative Screenwriting
AwardsGolden Globes, USA 2019 Nominee Golden Globe for Best Original Song - Motion Picture - Annie Lennox Best Performance by an Actress in a Motion Picture - Drama - Rosamund Pike
A Single Man is a 2009 American drama film based on the novel of the same name by Christopher Isherwood. The directorial debut of fashion designer Tom Ford, the film stars Colin Firth, who was nominated for an Oscar for Best Actor for his portrayal of George Falconer, a depressed gay British university professor living in Southern California in 1962. The film premiered on September 11, 2009 at the 66th Venice International Film Festival, and went on the film festival circuit. After it screened at the 34th Toronto International Film Festival. Though the costumes are beautiful and the art direction impeccable, what stands out most from this debut by fashion designer Tom Ford is the leading performance by Colin Firth.
'A rare thing-a mainstream, melancholy love story, haunted by the past.' Film Comment Magazine
'It sounds like a downer but A Single Man is exciting, emotionally alive filmmaking, a potent cocktail of style and substance. And Firth thoroughly deserves the Oscar' Empire Magazine
'Firth's portrayal of a man repressing his grief while being unable to repress his instinct for love and for life is excellent and moving, while Ford's balancing of depth and surface is precarious but ultimately winning.' Time Out Magazine
'Colin, darling, you were fabulous, completely on trend. Plot? So last season, it's nowhere to be seen - we're all about character, emotion and cheekbones, sweetie.' Film 4
'The film is an aesthetic pleasure, like being in a designer hotel, reading a deliciously sad novel.' Times UK
BAFTA Awards 2010 Winner of a BAFTA Film Award for Best Leading Actor
AFI Awards, USA 2010 Winner of theAFI Award for Movie of the Year
Austin Film Critics Association 2009 Winner AFCA Award winner Best Actor - Colin Firth
CinEuphoria Awards 2011 Winner of CinEuphoria award for best Actor - Audience Award - Colin Firth
Winner of the Top Ten of the Year - Audience Award Best Trailer - International Competition Best Actor - International Competition - Colin Firth Top Ten of the Year - International Competition - Tom Ford Best Original Music - International Competition - Abel Korzeniowski
GLAAD Media Awards 2010 Winner of theGLAAD Media Award for Outstanding Film - Wide Release
Nick Broomfield's second documentary about serial killer Aileen Wuornos, focusing on her mental state on death row. Winner of the Amnesty International DOEN Award at Amsterdam International Documentary Film Festival 2003, Aileen: Life and Death of a Serial Killer is a 2003 feature-length documentary film about Aileen Wuornos, directed by Nick Broomfield.
The film focuses on Wuornos' declining mental state and the questionable judgment to execute her despite her being of unsound mind. This chilling, unsettling documentary provides an eye-opening look at the American justice system. Nick Broomfield's documentary looks at Aileen's violent, tortured childhood in Troy, Michigan and her subsequent years on the road as a hitch-hiking prostitute which culminated in the murders. In her last interview, conducted by Broomfield at Aileen's request, she said she believed her mind was being controlled by radio waves. On October 9th 2002 she was executed in Florida.
‘The film stands quite chillingly as a final statement from a woman trying to fight her own commodification.’ Boston Globe ‘Provides an opportunity to study one of history's supposed anomalies: a female serial killer.’ Washington Post
Amsterdam International Documentary Film Festival 2003, winner of the Amnesty International DOEN Award.
Tribeca Film Festival 2003, winner of the special mention award.
Critic Reviews‘A sad, involving story.’ The Guardian ‘Martin has bestowed cinematic order on mayhem-fuelled lives.’ Little White Lies ‘All This Mayhem captivates not only in its energetic style of storytelling, but also thanks to the charisma that exudes from the mouth of Tas as he honesty tells his side of this doomed Shakespearean tale.’ CineVue ‘Candid and clear-eyed, this doc will wow boarding fans but has something to offer to the unconverted too.’ Empire Magazine
AwardsAustralian Academy of Cinema and Television Arts (AACTA) Awards, winner of the best direction in a documentary, best editing in a documentary, best original music score in a documentary.
AwardsLower East Side Film Festival 2016, winner of best of fest San Francisco Docfest 2016, winner of the Jury Prize Slamdance Film Festival 2016, winner of best documentary feature The Alhambra Theatre Film Festival 2016, winner of best documentary
Beast is a 2017 British psychological thriller film written and directed by Michael Pearce, starring Jessie Buckley, Johnny Flynn, and Geraldine James.
The film had its world premiere in the Platform section at the 2017 Toronto International Film Festival. The film has received a positive critical response."Beast plays like bleak poetry, unfurling its psychological thrills while guided by its captivating leads and mesmerizing, visceral visuals."
For The Canadian Press, David Friend called it "a twisty story about the monster that lies within all of us, and struggle to keep it contained.” Peter Howell of the Toronto Star said it was "a jagged but memorable feature... that slowly yields its truths."
‘The leads deliver affecting, nuanced performances, which gives heft to the psychological insights.’ Chicago Reader
‘Immaculately composed yet skittish, edgy and surprising, this impressive debut by writer-director Michael Pearce emanates a chill that will have you hugging your sides.’ Time Out
BAFTA Awards 2019 Winner of the BAFTA Film Award for Outstanding Debut by a British Writer, Director, or Producer - Michael Pearce and Lauren Dark
Winner of the British Independent Film Award for Most Promising Newcomer - Jessie Buckley
International Film Festival & Awards Macao 2017 Winner of Best Actress - Jessie Buckley
London Critics Circle Film Awards 2019 Winner of the ALFS Award for British/Irish Actress of the Year - Jessie Buckley and Breakthrough British/Irish Filmmaker of the Year
Critic Reviews‘This tender, detail-filled movie lives for the moment.’ New York Times ‘Welsh has delivered a compelling snapshot of an era and captured a moment in life when friendship is at its most sustaining.’ Sydney Morning Herald ‘The script, adapted by Welsh and Kieran Hurley from Hurley's play, is especially good on the preciousness and subjectivity of cultural experience.’ Times UK ‘Funny, as well as emotionally rewarding.’ London Evening Standard
AwardsBAFTA Awards, Scotland 2019 Winner of the BAFTA Scotland Award for Best Actor - Film Lorn Macdonald British Independent Film Awards 2019 Winner of the British Independent Film Award for Best Cinematography - Benjamin Kracun and winner for Best Sound Film by the Sea International Film Festival 2019 Winner of the International Student Jury Award - International Student Jury for Brian Welsh (director) Hamilton Behind The Camera Awards 2019 Winner of the Behind the Camera Award - Torino Film Festival 2019 for Brian Welsh (director)
Daphne is a 2017 British drama film directed by Peter Mackie Burns and written by Nico Mensinga. The film stars Emily Beecham, Geraldine James, Nathaniel Martello-White, Osy Ikhile, Sinead Matthews and Stuart McQuarrie.
The film premiered at the International Film Festival Rotterdam on 29 January 2017 and garnered positive reviews. "Led by Emily Beecham's note-perfect performance, Daphne is a vivid portrait of a woman in flux - and an auspicious narrative debut for director Peter Mackie Burns"
‘The film finally adds up to more than the sum of its well-wrought parts, offering a quietly profound insight into this young woman's attempt to navigate a world that is both familiar and brutally alien.’ Sight and Sound
‘It's one of the best films about London living I can recently recall.’ Daily Telegraph (UK)
‘Mackie Burns handles the tale like a seasoned pro, and Beecham is terrifically watchable throughout.’ The Herald (Scotland)
Dinard British Film Festival 2017 Winner of Best Screenplay - Peter Mackie Burns (director) and The Bureau (production company)
Edinburgh International Film Festival 2017 Winner of Best Performance in a British Feature Film Best Performance - Emily Beecham and Anne Reid
Torino Film Festival 2017 Winner of the Prize of the City of Torino for Best Actress - Emily Beecham
Critic Reviews‘For its exuberance and its difference, its fine performances and its devastating finale, Dogville is essential viewing.’ London Evening Standard ‘Bold stylistic decisions reinforce the themes of the narrative, while a strong story and convincing performances prove equal to the task of carrying such an extended running time.’ Empire Magazine ‘Thought provoking with its dense and intense themes, Dogville highlights the best and the worst in us all; the emotions it agitates are hard to shake.’ Urban Cinefile ‘These elements come together to form a movie that is clinically ironic but also unique, inspired, and quite sublime.’ Paste Magazine
AwardsCannes Film Festival 2003 Winner Palm Dog Bodil Awards 2004 Winner Best Film (Bedste danske film) Lars von Trier Cinema Brazil Grand Prize 2005 Winner - Cinema Brazil Grand Prize Best Foreign Film (Melhor Filme Estrangeiro) Danish Film Awards (Robert) 2004 Winner Robert Best Screenplay (Årets manuskript) Lars von Trier Best Costume Design (Årets kostumer) Manon Rasmussen
Critic Reviews‘The Norman Rockwell of movie advertising steps in front of the camera for a long-overdue celebration sure to delight fans and heighten awareness of his legacy.’ Variety ‘Drew makes a valid case for the artist as not simply an all-time great, but as a casualty of a business that prizes bottom-line cost management above unique creativity.’ AV Club
AwardsDragon*Con Independent Film Festival 2014 - Winner of Best Feature Film Ridgewood Guild Film Festival, US 2014 - Winner of the Festival Prize for Best Documentary
Critic Reviews'A film that moves relentlessly forward, carrying you along so completely that it's only afterwards, if at all, that you begin to wonder about origins and plausibilities.' London Evening Standard 'One for fans of Taxi Driver and TV's Dexter, Drive is a film whose considerable style at first obscures just how much it'll get under your skin and stay there for weeks to come' Film 4 'Calculating. Methodical. High gloss. Slick. Polished. Drive is the neo-noir thriller of the year.' Behind the Lens
AwardsAustin Film Critics Association 2011 Winner of theAFCA Award for Best Director - Nicolas Winding Refn Best Supporting Actor - Albert Brooks Best Adapted Screenplay - Hossein Amini Awards Circuit Community Awards 2011 Winner of theACCA for Best Director - Nicolas Winding Refn Best Achievement in Film Editing - Matthew Newman Boston Society of Film Critics Awards 2011 Winner of the BSFC Award for Best Supporting Actor - Albert Brooks Best Use of Music in a Film - Cliff Martinez (Tied with Ludovic Bource for The Artist (2011) Cannes Film Festival 2011 Winner of Best Director - Nicolas Winding Refn
Eden uses 1990s club culture as the appropriately intoxicating backdrop for a sensitive, low-key look at aging and the price of pursuing one's dreams.
Eden is a 2014 French drama film directed by Mia Hansen-Løve and co-written with Sven Hansen-Løve. The film stars Félix de Givry and Pauline Etienne. The film premiered in the Special Presentations section of the 2014 Toronto International Film Festival. It was also screened in the 52nd edition of the New York Film Festival and the BFI London Film Festival.
The film is an affecting trip into the electronic dance movement in Paris whose rhythms echo its textures and feeling. Based on the experiences of Hansen-Løve's brother Sven, the film follows Paul, a teenager in the underground scene of early-nineties Paris. Rave parties dominate that culture, but he's drawn to the more soulful rhythms of Chicago's garage house. He forms a DJ collective named Cheers, and together he and his friends plunge into the ephemeral nightlife of sex, drugs, and endless music.
'Rambling, talky and luxuriantly wistful, the film gives a perceptive survey of the self-importance and decadence of a youth movement.' Times UK
'A remarkable film which drums to its own beat.' Little White Lies
'Partly the story of a music scene, but mostly the story of a man who realises that living the dream isn't always the best thing for your life. Vivid, immersive and blessed with a perfectly nostalgic soundtrack.' Empire Magazine
'Eden, in its loose and free-form way, is as personal a statement as this 34-year-old director has yet made: it's telling that Paul is that age by the end of it.' Daily Telegraph UK
'Absorbing and very moving.' The Guardian
Critic Reviews‘Banksy proves that his talents extend beyond the spray can to the movie camera.’ Independent (UK) ‘Exit Through the Gift Shop offers an absorbing glimpse of a bracingly subversive slice of the culture, as well as some tantalizing images of Banksy at work.’ Washington Post ‘As insightful as it is funny. You'll be enthralled.’ People Magazine
AwardsAmerican Cinema Editors, USA 2011 Winner of the Eddie for Best Edited Documentary Austin Film Critics Association 2010 Winner of theAFCA Award for Best Documentary Central Ohio Film Critics Association 2011 Winner of theCOFCA Award for Best Documentary Chicago Film Critics Association Awards 2010 Winner CFCA Award for Best Documentary Denver Film Critics Society 2011 Winner of the DFCS Award for Best Documentary Film Film Independent Spirit Awards 2011 Winner of the Independent Spirit Award for Best Documentary International Cinephile Society Awards 2011 - Winner of the ICS Award for Best Documentary New York Film Critics, Online 2010 Winner of the NYFCO Award for Best Documentary San Diego Film Critics Society Awards 2010 Winner of the SDFCS Award for Best Documentary Toronto Film Critics Association Awards 2010 Winner of the Allan King Documentary Award Winner of the TFCA Award Best First Feature Washington DC Area Film Critics Association Awards 2010 Winner of the WAFCA Award for Best Documentary
Critic Reviews‘Brilliantly observed and very moving.’ Independent (UK) ‘Coogler's realistic debut recreates Grant's final day with affection, refusing to cast him as either saint or sinner.’ Times (UK) ‘There is something almost spiritual in the eerie importance that all the ordinary, banal facts of a life achieve under scrutiny, as time is running out.’ Guardian
AwardsAcapulco Black Film Festival 2014 Winner of the Hollywood Award for Breakthrough Performance of the Year AFI Awards, USA 2014 Winner of the AFI Award for Movie of the Year African-American Film Critics Association (AAFCA) 2013 Winner of the AAFCA Award for Top 10 Films and Best Independent Film Austin Film Critics Association 2013 Winner of the AFCA Award for Best First Film Boston Online Film Critics Association 2013 Winner of the BOFCA Award for Ten Best Films of the Year Cannes Film Festival 2013 Winner Un Certain Regard - Avenir Prize - Ryan Coogler Film Independent Spirit Awards 2014 Winner of the Independent Spirit Award for Best First Feature Hollywood Film Awards 2013 Winner of the Spotlight Award National Board of Review, USA 2013 Winner of the NBR Award for Best Supporting Actress - Octavia Spencer Winner of Breakthrough Performance by an Actor - Michael B. Jordan Winner of Best Directorial Debut - Ryan Coogler New York Film Critics Circle Awards 2013 Winner of the NYFCC Award for Best First Film Satellite Awards 2013 Winner of the Breakthrough Performance Award
Critic Reviews'Glassland smartly plays off Jean's unhinged disintegration against John's tense, subdued control. In that contrast lies the power of this film.' New York Magazine 'Glassland is a small film with an emotional punch that wallops above its weight class.' Globe and Mail 'In the movie's best scene, as mother and son dance to an old pop song, the look on Reynor's face speaks volumes about loss and hope. It's a look that's going to be breaking hearts on screen for decades to come.' Los Angeles Times
AwardsSundance Film Festival 2015 Winner Special Jury Prize World Cinema - Dramatic Netia Off Camera International Festival of Independent Cinema 2015 Winner Making Way Award Special Mention
Critic Reviews"Firefly Dreams" is a quietly confident and affecting first feature from Japan-based writer-director John Williams. Variety.
AwardsCinequest San Jose Film Festival, 2002. Winner of the audience favourite choice award for best dramatic feature. Karlovy Vary International Film Festival, 2001. Winner of the special mention prize for John Williams ‘for the human approach to a traditional Asian theme’ Mannheim-Heidelberg International Filmfestival, 2001. Winner of best feature.
"Black Book" tells the moving story of a young Jewish woman who joins the Resistance in The Hague and gets entangled in a deadly web of double-dealing and betrayal. It is is an epic thriller of great courage and fierce emotion--played out against the dying, explosive months of WW II.
The film had its world premiere on 1 September 2006 at the Venice Film Festival. Winner of three Golden Calves, Black Book won the most awards at the Netherlands Film Festival in 2006.
'The film manages to turn German occupied Holland circa 1944 into a fast-paced thrill ride without sacrificing the emotional core and very real human toll.' From the Front Row
'Seven years after he disappeared with the whimper that was Hollow Man, Paul Verhoeven has returned with what may be his best film.' Stop Smiling
'The handsomely mounted, heedlessly pulpy modernist World War II thriller that "The Good German" and "Valkyrie" failed to be - a dizzying rush of daring rescues, sexual intrigue, treachery, betrayal, gunfights, hasty conclusions and harrowing consequences.' The Film Yap
Austin Film Critics Association 2007 Winner of the AFCA Award for Best Foreign Language Film
Capri, Hollywood 2007 Winner of the Capri Cult Award
Golden and Platin Film, Netherlands 2007 Winner of the Diamond Film
Nederlands Film Festival 2006 Winner of the Golden Calf for Best Film, Best Actress and Best Director of a Feature Film
Venice Film Festival 2006 Winner of the Young Cinema Award for Best International Film
Moonlight is a 2016 American coming-of-age drama film written and directed by Barry Jenkins, based on Tarell Alvin McCraney's unpublished semi-autobiographical play In Moonlight Black Boys Look Blue.
The film presents three stages in the life of the main character: his youth, adolescence, and early adult life. It explores the difficulties he faces with his sexuality and identity, including the physical and emotional abuse he endures growing up. Filmed in Miami, Florida, beginning in 2015, Moonlight premiered at the Telluride Film Festival on September 2, 2016. It was released in the United States on October 21, 2016 by A24, receiving positive reviews and grossing over $65 million worldwide.
Moonlight is cited as one of the best films of the 21st century. The film won several accolades, including the Golden Globe Award for Best Motion Picture – Drama and the Academy Award for Best Picture, along with Best Supporting Actor for Ali and Best Adapted Screenplay for Jenkins and McCraney from a total of eight nominations. It became the first film with an all-black cast, the first LGBTQ-related film, and the second-lowest-grossing film domestically (behind The Hurt Locker) to win the Oscar for Best Picture. Joi McMillon became the first black woman to be nominated for an editing Oscar, and Ali became the first Muslim to win an acting Oscar.
‘You won't find a more sensitively rendered, evocative, or surprising coming-of-age film than Barry Jenkins's Moonlight.’ Independent (UK)
‘Jenkins' authorial voice is resounding and strong and his determination admirable.; Little White Lies
‘Moonlight is at its most eloquent when its subtext is soft-spoken.’ Sight and Sound
Academy Awards, USA 2017 Winner of the Oscar for Best Motion Picture of the Year (Dede Gardner became the first woman to win Best Picture twice.) Academy Awards, USA 2017 Winner of the Oscar for Best Performance by an Actor in a Supporting Role
Golden Globes, USA 2017 Winner of the Golden Globe for Best Motion Picture - Drama
Screen Actors Guild Awards 2017 Winner of the best Actor Outstanding Performance by a Male Actor in a Supporting Role
African-American Film Critics Association (AAFCA) 2016 Winner of the AAFCA Award for Best Picture, Winner of Best Director, Winner of Best Supporting Actor, Winner of Best Breakout Performance
Atlantic Film Festival 2016 Winner of the Audience Award for People's Choice Award
Austin Film Critics Association 2020 Winner of the AFCA Award for Best Movie of the Decade
Austin Film Critics Association 2016 Winner off the AFCA Award for Best Film, Winner of Best Director, Winner of Best Supporting Actor, Winner of Best Original Screenplay, Winner of Special Honorary Award